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Boydell & Brewer
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Contents
Chapters in this book
- Frontmatter i
- Contents ix
- List of Plates x
- List of Tables xii
- Preface xiii
- Acknowledgments xv
- Note to the Reader xvi
- Introduction: Opera and Cultural Politics 1
- 1 Rise of Walpole and the Whig Oligarchy 10
- 2 The Royal Academy of Music and Its Audience 22
- 3 Bolingbroke and the Political Opposition 44
- 4 Opera and the Luxury Debate 75
- 5 Excise and the Patriot Opposition 99
- 6 Opera of the Nobility and the Furor Farinellicus 113
- 7 From Excise to the War of Jenkins’ Ear 131
- 8 A Patriot Vision for Dramatic Music 141
- 9 Opera and the Politics of Taste 162
- 10 Opera in Formal Verse Satire 239
- 11 War of Jenkins’ Ear and the Fall of Walpole 271
- 12 The New Dunciad: Opera and the Triumph of Dulness 279
- Coda: The Cultural Work of Opera 303
- Bibliography 315
- Index 343
Chapters in this book
- Frontmatter i
- Contents ix
- List of Plates x
- List of Tables xii
- Preface xiii
- Acknowledgments xv
- Note to the Reader xvi
- Introduction: Opera and Cultural Politics 1
- 1 Rise of Walpole and the Whig Oligarchy 10
- 2 The Royal Academy of Music and Its Audience 22
- 3 Bolingbroke and the Political Opposition 44
- 4 Opera and the Luxury Debate 75
- 5 Excise and the Patriot Opposition 99
- 6 Opera of the Nobility and the Furor Farinellicus 113
- 7 From Excise to the War of Jenkins’ Ear 131
- 8 A Patriot Vision for Dramatic Music 141
- 9 Opera and the Politics of Taste 162
- 10 Opera in Formal Verse Satire 239
- 11 War of Jenkins’ Ear and the Fall of Walpole 271
- 12 The New Dunciad: Opera and the Triumph of Dulness 279
- Coda: The Cultural Work of Opera 303
- Bibliography 315
- Index 343