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Chapter 4 Almost Shakespeare – But Not Quite
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Chapters in this book
- Frontmatter i
- Contents v
- Introduction Shakespeare and the Modern Novel 1
- Chapter 1 ‘All the world’s a [post-apocalyptic] stage’ The Future of Shakespeare in Emily St. John Mandel’s Station Eleven 6
- Chapter 2 Ian McEwan Celebrates Shakespeare Hamlet in a Nutshell 27
- Chapter 3 Modernising Misogyny in Shakespeare’s Shrew 44
- Chapter 4 Almost Shakespeare – But Not Quite 58
- Chapter 5 Canon Fodder and Conscripted Genres The Hogarth Project and the Modern Shakespeare Novel 68
- Chapter 6 Loving Shakespeare Anne Tyler’s Vinegar Girl and the Hogarth Shakespeare Project 86
- Chapter 7 Millennial Dark Ladies 104
- Chapter 8 Flights of Fancy and the Dissolution of Shakespearean Space-Time in Angela Carter’s Nights at the Circus 121
- Chapter 9 Hamlet’s Displacement as a Recurrent Case in Cather’s A Lost Lady and Al Halaby’s Once in a Promised Land 137
- Chapter 10 Susan Abulhawa’s Appropriation of Shakespeare’s Romeo and Juliet 156
- Index 179
Chapters in this book
- Frontmatter i
- Contents v
- Introduction Shakespeare and the Modern Novel 1
- Chapter 1 ‘All the world’s a [post-apocalyptic] stage’ The Future of Shakespeare in Emily St. John Mandel’s Station Eleven 6
- Chapter 2 Ian McEwan Celebrates Shakespeare Hamlet in a Nutshell 27
- Chapter 3 Modernising Misogyny in Shakespeare’s Shrew 44
- Chapter 4 Almost Shakespeare – But Not Quite 58
- Chapter 5 Canon Fodder and Conscripted Genres The Hogarth Project and the Modern Shakespeare Novel 68
- Chapter 6 Loving Shakespeare Anne Tyler’s Vinegar Girl and the Hogarth Shakespeare Project 86
- Chapter 7 Millennial Dark Ladies 104
- Chapter 8 Flights of Fancy and the Dissolution of Shakespearean Space-Time in Angela Carter’s Nights at the Circus 121
- Chapter 9 Hamlet’s Displacement as a Recurrent Case in Cather’s A Lost Lady and Al Halaby’s Once in a Promised Land 137
- Chapter 10 Susan Abulhawa’s Appropriation of Shakespeare’s Romeo and Juliet 156
- Index 179