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Index
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Chapters in this book
- Frontmatter I
- Contents V
- List of Illustrations VIII
- Acknowledgements XI
- Introduction. Documenting Socialism 1
-
Part I: Studios, Systems and Networks
- 1. ‘Mountains of Material’: Gerhard Scheumann and the Cinéma Vérité Debate in the GDR 35
- 2. The DEFA ‘Foreign Ministry Films’: Presenting the GDR to the World, 1962–90 53
- 3. Diary of the Ordinary: Reinventing the Newsreel. DEFA Kinobox, 1981–90 74
-
Part II: Documentary Auteurs
- 4. The Archives Testify: The Compilation Films of Annelie and Andrew Thorndike 97
- 5. ‘How Far Can You Go?’: Everyday Lives in the Films of Kurt Tetzlaff 116
- 6. Peter Voigt: Socialist Documentary and the Legacy of Brecht 137
- 7. Critical Truths: Documenting Disillusionment in the Films of Helke Misselwitz, Petra Tschörtner and Angelika Andrees 156
-
Part III: Transnational Documentary
- 8. East German Documentary Films by and about Sorbs 179
- 9. ‘Are These Pictures a Deception?’ Socialist Self-Reflexivity in the Cambodia Trilogy of Studio H&S 201
- 10. Polycentric Images of Africa in East German Documentary Film 222
- 11. East Germany’s Anti-racist Politics and Black Abjection in Documentary Film 241
-
Part IV: Documenting Alterity
- 12. Ein Tagebuch für Anne Frank (A Diary for Anne Frank, 1958): The GDR’s Answer to Alain Resnais’ Nuit et Brouillard (Night and Fog, 1956)? 265
- 13. A Woman’s Work? Women Soldiers, Masculinities and Binary Panic in Documentaries of the East German Army 287
- 14. The Queer Cipher in East German Documentary: In Sachen H. und acht anderer ( In the Matter of H. and Eight Others, 1972) and Queer Activist Super 8 Films 307
-
Part V: The Presence of the Past: Reconstructing the Socialist Imaginary
- 15. The Socialist City and Utopian Temporality in Halle-Neustadt Documentaries 329
- 16. The Rubble of History: Searching for the German Past in a European Present in Andreas Voigt’s Ostpreußenland (Tales of East Prussia, 1995) and Volker Koepp’s Kalte Heimat (Cold Homeland, 1995) 350
- Filmography 370
- Index 377
Chapters in this book
- Frontmatter I
- Contents V
- List of Illustrations VIII
- Acknowledgements XI
- Introduction. Documenting Socialism 1
-
Part I: Studios, Systems and Networks
- 1. ‘Mountains of Material’: Gerhard Scheumann and the Cinéma Vérité Debate in the GDR 35
- 2. The DEFA ‘Foreign Ministry Films’: Presenting the GDR to the World, 1962–90 53
- 3. Diary of the Ordinary: Reinventing the Newsreel. DEFA Kinobox, 1981–90 74
-
Part II: Documentary Auteurs
- 4. The Archives Testify: The Compilation Films of Annelie and Andrew Thorndike 97
- 5. ‘How Far Can You Go?’: Everyday Lives in the Films of Kurt Tetzlaff 116
- 6. Peter Voigt: Socialist Documentary and the Legacy of Brecht 137
- 7. Critical Truths: Documenting Disillusionment in the Films of Helke Misselwitz, Petra Tschörtner and Angelika Andrees 156
-
Part III: Transnational Documentary
- 8. East German Documentary Films by and about Sorbs 179
- 9. ‘Are These Pictures a Deception?’ Socialist Self-Reflexivity in the Cambodia Trilogy of Studio H&S 201
- 10. Polycentric Images of Africa in East German Documentary Film 222
- 11. East Germany’s Anti-racist Politics and Black Abjection in Documentary Film 241
-
Part IV: Documenting Alterity
- 12. Ein Tagebuch für Anne Frank (A Diary for Anne Frank, 1958): The GDR’s Answer to Alain Resnais’ Nuit et Brouillard (Night and Fog, 1956)? 265
- 13. A Woman’s Work? Women Soldiers, Masculinities and Binary Panic in Documentaries of the East German Army 287
- 14. The Queer Cipher in East German Documentary: In Sachen H. und acht anderer ( In the Matter of H. and Eight Others, 1972) and Queer Activist Super 8 Films 307
-
Part V: The Presence of the Past: Reconstructing the Socialist Imaginary
- 15. The Socialist City and Utopian Temporality in Halle-Neustadt Documentaries 329
- 16. The Rubble of History: Searching for the German Past in a European Present in Andreas Voigt’s Ostpreußenland (Tales of East Prussia, 1995) and Volker Koepp’s Kalte Heimat (Cold Homeland, 1995) 350
- Filmography 370
- Index 377