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© 2024, Berghahn Books, New York, Oxford

© 2024, Berghahn Books, New York, Oxford

Chapters in this book

  1. Frontmatter I
  2. Contents V
  3. List of Illustrations VIII
  4. Acknowledgements XI
  5. Introduction. Documenting Socialism 1
  6. Part I: Studios, Systems and Networks
  7. 1. ‘Mountains of Material’: Gerhard Scheumann and the Cinéma Vérité Debate in the GDR 35
  8. 2. The DEFA ‘Foreign Ministry Films’: Presenting the GDR to the World, 1962–90 53
  9. 3. Diary of the Ordinary: Reinventing the Newsreel. DEFA Kinobox, 1981–90 74
  10. Part II: Documentary Auteurs
  11. 4. The Archives Testify: The Compilation Films of Annelie and Andrew Thorndike 97
  12. 5. ‘How Far Can You Go?’: Everyday Lives in the Films of Kurt Tetzlaff 116
  13. 6. Peter Voigt: Socialist Documentary and the Legacy of Brecht 137
  14. 7. Critical Truths: Documenting Disillusionment in the Films of Helke Misselwitz, Petra Tschörtner and Angelika Andrees 156
  15. Part III: Transnational Documentary
  16. 8. East German Documentary Films by and about Sorbs 179
  17. 9. ‘Are These Pictures a Deception?’ Socialist Self-Reflexivity in the Cambodia Trilogy of Studio H&S 201
  18. 10. Polycentric Images of Africa in East German Documentary Film 222
  19. 11. East Germany’s Anti-racist Politics and Black Abjection in Documentary Film 241
  20. Part IV: Documenting Alterity
  21. 12. Ein Tagebuch für Anne Frank (A Diary for Anne Frank, 1958): The GDR’s Answer to Alain Resnais’ Nuit et Brouillard (Night and Fog, 1956)? 265
  22. 13. A Woman’s Work? Women Soldiers, Masculinities and Binary Panic in Documentaries of the East German Army 287
  23. 14. The Queer Cipher in East German Documentary: In Sachen H. und acht anderer ( In the Matter of H. and Eight Others, 1972) and Queer Activist Super 8 Films 307
  24. Part V: The Presence of the Past: Reconstructing the Socialist Imaginary
  25. 15. The Socialist City and Utopian Temporality in Halle-Neustadt Documentaries 329
  26. 16. The Rubble of History: Searching for the German Past in a European Present in Andreas Voigt’s Ostpreußenland (Tales of East Prussia, 1995) and Volker Koepp’s Kalte Heimat (Cold Homeland, 1995) 350
  27. Filmography 370
  28. Index 377
Documenting Socialism
This chapter is in the book Documenting Socialism
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