Berghahn Books
Science on Screen and Paper
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Über dieses Buch
During the Cold War, scientific discoveries were adapted and critiqued in many different forms of media across a divided Europe. Now, more than 30 years since the end of the Cold War, Science on Screen and Paper explores the intersections between scientific research and media by drawing from media history, film studies, and the history of science. From public relations material to educational and science films, from children’s magazines to television broadcasts, the contributions in this collected volume seek to embrace medial differences and focus on intersectional themes and strategies for the representation of science.
Information zu Autoren / Herausgebern
Mariana Ivanova is Associate Professor for German Film and Media and the Academic Director of the DEFA Film Library at the University of Massachusetts Amherst. Her monograph, Cinema of Collaboration (Berghahn Books, 2019) was finalist for the international Willy Haas award. Her research has been published in The German Studies Review, The Historical Journal of Film, Radio and Television, and in numerous edited volumes on East German and Central European cinema.
--- Contributor: Juliane ScholzJuliane Scholz is coordinator for science communication and public relations at the Collaborative Research Center “Sexdiversity – Determinants, Meanings and Implications of Sex Diversity in Sociocultural, Medical and Biological Landscapes” at the University of Lübeck.
Rezensionen
“With a focus on global scientific culture during the Cold War, this anthology incisively demonstrates how scientific media were never simply transparent tools for research or pedagogy, but also crucial components within powerful geopolitical institutions.” • Benjamin Schultz-Figueroa, Seattle University.
Fachgebiete
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Frontmatter
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Contents
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List of Figures
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List of Acronyms
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Introduction. Science and Media in Cold War Europe
1 - Part I. Institutional and Industrial Contexts
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Chapter 1. Whitewashing the Nazi Past: Continuity and Transformation in Scientific Cinematography in Germany, 1934–56
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Chapter 2. Flow Vis for the Space Race: German Science Films in US Education during the Cold War
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Chapter 3. Raw Film Manufacturing in East Germany: Between Economic Efficiency and Environmental Awareness
71 - Part II. Imaginaries of Self and Other
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Chapter 4. Between Cooperation and Competition: Cold War Imaginaries and Representations of US-Soviet Encounters in Space
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Chapter 5. Postcolonial Science Heroes in East German Science-Fiction Films
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Chapter 6. The Culture of Anticipation and Scientific Fiction in Socialist Romania
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Chapter 7. (Un)Healthy Tunes: Body, Mind, and Music on Socialist Television
158 - Part III. Science in Public and Educational Media
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Chapter 8. Science for Children and Adults: The Space Race in Italian Communist Party Publications, 1957–64
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Chapter 9. “Effective Films”: Science Film and Education in East Germany
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Chapter 10. German Technology and Education for “Young Nations”: Cold War Politics and Aesthetics of Development Aid in Two West German Governmental PR Films of 1961
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Chapter 11. French Educational Film Production for African Countries, 1960s–70s
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Index
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