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Introduction
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Chapters in this book
- Frontmatter i
- Contents v
- List of Illustrations vii
- Acknowledgements xv
- List of Contributors xvii
- Introduction 1
- 1 ‘Fabrics of Enchantment’: Artist Travellers in Mid-Nineteenth-Century Europe 17
- 2 Opening Young Minds to Art and Knowledge: Art Training in Mid-Nineteenth-Century London and Paris 45
- 3 From ‘a Nibble’ to ‘Golden Guineas’: The British Art Market, 1850–61 95
- 4 Paint and Painting: The Virtues and Trials of Practices Exchanged by Word of Mouth 123
- 5 Joanna Mary Boyce: In Her Own Time 145
- 6 Joanna Mary Boyce: Beyond Pre-Raphaelitism 169
- 7 A Critical Career: Joanna Mary Boyce’s Art Writings 207
- 8 George Price Boyce: A Unique Vision 225
- 9 George Price Boyce: Art Collector 245
- 10 Henry Tanworth Wells: Miniaturist and Portrait Painter of Distinction 269
- General Bibliography 287
- Index 289
Chapters in this book
- Frontmatter i
- Contents v
- List of Illustrations vii
- Acknowledgements xv
- List of Contributors xvii
- Introduction 1
- 1 ‘Fabrics of Enchantment’: Artist Travellers in Mid-Nineteenth-Century Europe 17
- 2 Opening Young Minds to Art and Knowledge: Art Training in Mid-Nineteenth-Century London and Paris 45
- 3 From ‘a Nibble’ to ‘Golden Guineas’: The British Art Market, 1850–61 95
- 4 Paint and Painting: The Virtues and Trials of Practices Exchanged by Word of Mouth 123
- 5 Joanna Mary Boyce: In Her Own Time 145
- 6 Joanna Mary Boyce: Beyond Pre-Raphaelitism 169
- 7 A Critical Career: Joanna Mary Boyce’s Art Writings 207
- 8 George Price Boyce: A Unique Vision 225
- 9 George Price Boyce: Art Collector 245
- 10 Henry Tanworth Wells: Miniaturist and Portrait Painter of Distinction 269
- General Bibliography 287
- Index 289