Chapters in this book

1. Frontmatter 1
2. Contents 5
3. Introduction 9
4. STAGING AND PERFORMING SOUNDS: A GLANCE THROUGH THE LAST THEATRICAL WORK
5. Delving into Bruno Maderna’s Satyricon: The Looking Glass World of Storytelling, Performance Interference, and Authorship 19
6. “In the Beginning Was the Word”: The Sung Text as a Unifying Element in the Composition of Bruno Maderna’s Satyricon 59
7. BUILDING SOUNDS: THE COMPOSER
8. Space in Maderna’s Last Orchestral Works 87
9. The Unity of Musical Practice: Bruno Maderna and His “Shaping Form” as Composer and Performer of Experimental Orchestral Music 115
10. CREATING SOUND: THE MUSIC BEYOND/ WITHOUT THE STAGE
11. “A Walk Through a Musical Garden”: Compositional Paths in Maderna’s Late Works 141
12. Narrating with Sounds: Bruno Maderna’s Music for Radio and Film 171
13. REINVENTING SOUNDS: DIALOGUES WITH MUSIC OF EVERY EPOCH AND STYLE
14. The Writing of the Interpretation: Notes on Bruno Maderna’s Arrangements 193
15. Analysis and Synthesis in Bruno Maderna’s Creative Process: Don Giovanni and Other Mozart Scores 227
16. Bruno Maderna and His Arrangements 245
17. ACROSS BORDERS: THE CONDUCTOR AND THE INTERPRETER
18. “This Bruno Looks Like Fiorello”: Maderna in the U.S.A. (1965–72) 277
19. Maderna Goes to Tanglewood: The Role of American Networks in the Origins and Reception of Venetian Journal and Satyricon 299
20. SEARCHING FOR ROOTS: THE DEVELOPMENT OF A STYLE
21. Venice to Europe: Bruno Maderna Before and After 1948 331
22. “La révolution dans la continuité”: The Presence of the Past in Bruno Maderna’s Creative Process (1948–55) 357
23. STAGING AND PERFORMING TEXTS: A GLANCE THROUGH EARLY DRAMATURGICAL AND VOCAL WORKS
24. The Studi per “Il Processo” di Franz Kafka, and Their Stage Sources 383
25. Maderna and the Poets, 1938–48 415
26. Chronology of Bruno Maderna’s Works in collaboration with Maurizio Romito 443
27. Selected Bibliography on Bruno Maderna 451
28. Index 455