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9 The Final Years (2000–2010)
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Susan Hurley-Glowa
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Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Note to Reader xi
- Foreword: The Music Politics of Norberto Tavares xv
- Introduction 1
- 1 Son of Santa Catarina: Norberto Tavares’s Early Years (1956–73) 29
- 2 Cabo Verde and Its Traditions in Context 49
- 3 Revolutions and Transformations (1973–75) 81
- 4 Volta pa fonti: A Return to the Source for Musical Inspiration and Grounding (1976–79) 110
- 5 Starting Again in America (1979–88) 139
- 6 Playing My Culture (1988–) 161
- 7 Opening the Door to Democracy: Norberto Tavares Goes Home (1990) 205
- 8 Changing Scenes in New England (1991–99) 232
- 9 The Final Years (2000–2010) 253
- Epilogue: The Legacy of Norberto Tavares 283
- Works Cited 295
- Index 307
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Note to Reader xi
- Foreword: The Music Politics of Norberto Tavares xv
- Introduction 1
- 1 Son of Santa Catarina: Norberto Tavares’s Early Years (1956–73) 29
- 2 Cabo Verde and Its Traditions in Context 49
- 3 Revolutions and Transformations (1973–75) 81
- 4 Volta pa fonti: A Return to the Source for Musical Inspiration and Grounding (1976–79) 110
- 5 Starting Again in America (1979–88) 139
- 6 Playing My Culture (1988–) 161
- 7 Opening the Door to Democracy: Norberto Tavares Goes Home (1990) 205
- 8 Changing Scenes in New England (1991–99) 232
- 9 The Final Years (2000–2010) 253
- Epilogue: The Legacy of Norberto Tavares 283
- Works Cited 295
- Index 307