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Boydell & Brewer
Chapter
Publicly Available
CONTENTS
Chapters in this book
- Frontmatter i
- CONTENTS v
- Note to the Reader vii
- Acknowledgments ix
- Introduction 1
- 1 Clarinet Iconography 10
- 2 The Chalumeau and Clarinet before Mozart 38
- 3 From “Little Trumpet” to Unique Voice: The Clarinet in the Concert Orchestra 69
- 4 The Clarinet in Opera before 1830: Instrument and Genre Come of Age 93
- 5 The Clarinet in Nineteenth-Century Opera 120
- 6 Innovation and Convention in the Golden Age of the Clarinet Concerto, ca. 1800–1830 146
- 7 Joining the Conversation: The Clarinet Quintet in Classical and Romantic Chamber Music 178
- 8 Important Clarinetists since 1900: A Concise Introduction 208
- 9 Re-creating History? The Early Clarinet in Theory and Practice 228
- 10 The Clarinet in Vernacular Music 255
- Notes on Contributors 289
- Index 291
Chapters in this book
- Frontmatter i
- CONTENTS v
- Note to the Reader vii
- Acknowledgments ix
- Introduction 1
- 1 Clarinet Iconography 10
- 2 The Chalumeau and Clarinet before Mozart 38
- 3 From “Little Trumpet” to Unique Voice: The Clarinet in the Concert Orchestra 69
- 4 The Clarinet in Opera before 1830: Instrument and Genre Come of Age 93
- 5 The Clarinet in Nineteenth-Century Opera 120
- 6 Innovation and Convention in the Golden Age of the Clarinet Concerto, ca. 1800–1830 146
- 7 Joining the Conversation: The Clarinet Quintet in Classical and Romantic Chamber Music 178
- 8 Important Clarinetists since 1900: A Concise Introduction 208
- 9 Re-creating History? The Early Clarinet in Theory and Practice 228
- 10 The Clarinet in Vernacular Music 255
- Notes on Contributors 289
- Index 291