Chapters in this book

1. Frontmatter I
2. Contents V
3. Editors’ Preface XI
4. Eclectic Dichotomies in K. P. Moritz’s Aesthetic, Pedagogical, and Therapeutic Worlds 1
5. Sturm und Drang Comedy and the Enlightenment Tradition 17
6. Heaven Help Us! Journals! Calendars!: Goethe and Schiller’s Xenien as Circulatory Intervention 33
7. Between Nanjing and Weimar: Goethe’s Metaphysical Correspondences 59
8. Projection and Concealment: Goethe’s Introduction of the Mask to the Weimar Stage 89
9. Embarrassment and Individual Identity in Goethe’s Wahlverwandtschaften 107
10. The Daisy Oracle: A New Gretchenfrage in Goethe’s Faust 125
11. Goethes Der Zauberflöte zweyter Theil als Bruch: Zur Semantik des Zauberbegriffs im ausgehenden 18. Jahrhundert 141
12. “Ächt antike Denkmale”?: Goethe and the Hemsterhuis Gem Collection 165
13. Bestseller und Erlebniskultur: Neue medienästhetische Ansätze bei Gisbert Ter- Nedden und Robert Vellusig verdeutlicht an Romanadaptionen von Franz von Heufeld 191
14. Papierdenken: Blasche, Fröbel, and the Lessons of Nineteenth-Century Paper Modeling 209
15. The Men Who Knew Too Much: Reading Goethe’s “Erlkönig” in Light of Hitchcock 225
16. Genius and Bloodsucker: Napoleon, Goethe, and Caroline de la Motte Fouqué 243
17. Instrument or Inspiration? Commemorating the 1949 Goethe Year in Argentina 263
18. Media Inventories of the Nineteenth Century: A Report from Two Workshops 285
19. Forum: (New) Directions in Eighteenth-Century German Studies
20. Introduction 297
21. Medical Humanities and the Eighteenth Century 301
22. Disability Studies and New Directions in Eighteenth-Century German Studies 307
23. Goethe’s Talking Books: Print Culture and the Problem of Literary Orality 315
24. Three Observations and Three Possible Directions: Musical and Eighteenth-Century Studies 323
25. Lessing and Kotzebue: A Black Studies Approach to Reading the Eighteenth Century 329
26. Law and Literature: Codes as Colonizing Texts and Legal Ideas in Anthropocene Works 337
27. Johann Wolfgang Goethe, Migrant? or Debunking the Myth of 1955 345
28. “Goethe Boom” Films: Bildung Reloaded 351
29. BOOK REVIEWS
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31. Barbara Schwepcke and Bill Swainson, eds. A New Divan: A Lyrical Dialogue Between East & West. Berkeley, CA: Gingko, 2019. xvii + 187 pp 359
32. Stefan Hajduk, Poetologie der Stimmung. Ein ästhetisches Phänomen der frühen Goethezeit. Bielefeld: transcript, 2016. 513 pp. 362
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34. Mattias Pirholt. Grenzerfahrungen. Studien zu Goethes Ästhetik. Heidelberg: Universitätsverlag Winter, 2018. 267 pp 368
35. Nora Ramtke. Anonymität—Onymität. Autorname und Autorschaft in Wilhelm Meisters “doppelten Wanderjahren.” Heidelberg: Universitätsverlag Winter, 2016. 423 pp 370
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37. Bettina Brandt and Daniel Leonhard Purdy, eds. China in the German Enlightenment. Toronto: University of Toronto Press, 2016. 224 pp 374
38. Michel Chaouli. Thinking with Kant’s Critique of Judgment. Cambridge, MA: Harvard University Press, 2017. xv + 312 pp 376
39. Laura Deiulio and John B. Lyon, eds. Gender, Collaboration, and Authorship in German Culture: Literary Joint Ventures 1750–1850. New Directions in German Studies, vol. 27. New York: Bloomsbury Academic, 2019. 332 pp 379
40. Sara Munson Deats. The Faust Legend: From Marlowe and Goethe to Contemporary Drama and Film. Cambridge: Cambridge University Press, 2019, 275 pp 381
41. Lorna Fitzsimmons and Charles McKnight, eds. The Oxford Handbook of Faust in Music. Oxford: Oxford University Press, 2019. xxxi + 581 pp 383
42. Goldstein, Amanda Jo. Sweet Science: Romantic Materialism and the New Logics of Life. Chicago: University of Chicago Press, 2017. 336 pp 385
43. Claudia Häfner and Francesca Fabbri. Adele Schopenhauer. Unbekanntes aus ihrem Nachlass in Weimar. Weimar: Weimarer Verlagsgesellschaft, 2019. 96 pp 386
44. Rengenier C. Rittersma, Mytho-Poetics at Work: A Study of the Figure of Egmont, the Dutch Revolt and its Influence in Europe. Leiden: Brill, 2018. xiv + 416 pp 387
45. Steven Y. Wilkerson, A Most Mysterious Union: The Role of Alchemy in Goethe’s Faust. Asheville, NC: Chiron, 2019. 386 pp 389
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47. Paula Wojcik, Stefan Matuschek, Sophie Picard, and Monika Wolting, eds. Klassik als Kulturelle Praxis. Funktional, Intermedial, Transkulturell. Spectrum Literaturwissenschaft, vol. 62. Berlin: De Gruyter, 2019. 577 pp 391