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Acknowledgements

© 2021, Boydell and Brewer

© 2021, Boydell and Brewer

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. List of Illustrations ix
  4. Acknowledgements xiii
  5. Introduction 1
  6. 1 Indigenous Art and its Curation in Contemporary Brazil 13
  7. 2 Decolonial and Indigenous Curatorial Theory and Practice in Brazi 25
  8. 3 The ‘Arte Eletrônica Indígena’ Exhibition: Scratching the Surface 47
  9. 4 ‘AEI: Uma Mostra Interativa’: An Ethnographic Reading of Indigenous Curatorial Agency 65
  10. Conclusions: Being Indigenous, Being There 95
  11. Works Cited 107
  12. Index 121
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Decolonising the Museum
This chapter is in the book Decolonising the Museum
https://doi.org/10.1515/9781800101876-002

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. List of Illustrations ix
  4. Acknowledgements xiii
  5. Introduction 1
  6. 1 Indigenous Art and its Curation in Contemporary Brazil 13
  7. 2 Decolonial and Indigenous Curatorial Theory and Practice in Brazi 25
  8. 3 The ‘Arte Eletrônica Indígena’ Exhibition: Scratching the Surface 47
  9. 4 ‘AEI: Uma Mostra Interativa’: An Ethnographic Reading of Indigenous Curatorial Agency 65
  10. Conclusions: Being Indigenous, Being There 95
  11. Works Cited 107
  12. Index 121
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