APPENDIX: “The Artist of the Spade”

Varlam Shalamov

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APPENDIX

“The Artist of the Spade”

Varlam Shalamov

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Harvard
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Vancouver

Shalamov, Varlam. "APPENDIX: “The Artist of the Spade”". Cold Fusion: Aspects of the German Cultural Presence in Russia, edited by Gennady Barabtarlo, New York, Oxford: Berghahn Books, 2000, pp. 292-303. https://doi.org/10.1515/9781789203660-021

Shalamov, V. (2000). APPENDIX: “The Artist of the Spade”. In G. Barabtarlo (Ed.), Cold Fusion: Aspects of the German Cultural Presence in Russia (pp. 292-303). New York, Oxford: Berghahn Books. https://doi.org/10.1515/9781789203660-021

Shalamov, V. 2000. APPENDIX: “The Artist of the Spade”. In: Barabtarlo, G. ed. Cold Fusion: Aspects of the German Cultural Presence in Russia. New York, Oxford: Berghahn Books, pp. 292-303. https://doi.org/10.1515/9781789203660-021

Shalamov, Varlam. "APPENDIX: “The Artist of the Spade”" In Cold Fusion: Aspects of the German Cultural Presence in Russia edited by Gennady Barabtarlo, 292-303. New York, Oxford: Berghahn Books, 2000. https://doi.org/10.1515/9781789203660-021

Shalamov V. APPENDIX: “The Artist of the Spade”. In: Barabtarlo G (ed.) Cold Fusion: Aspects of the German Cultural Presence in Russia. New York, Oxford: Berghahn Books; 2000. p.292-303. https://doi.org/10.1515/9781789203660-021

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Frontmatter i
CONTENTS vii
ACKNOWLEDGMENTS ix
INTRODUCTION 1
Chapter 1 A SWEDISH COUNTESS AND A RUSSIAN EMPRESS 19
Chapter 2 FROM KING-AS-POET TO POET-AS-KING 34
Chapter 3 DREAMS OF A GERMAN(N) IN RUSSIA 50
Chapter 4 THE FANTASTIC IN THE EVERYDAY 62
Chapter 5 THE TYRANNY OF DIFFERENCE 74
Chapter 6 THE TYRANNICAL “KNOUT” OF WORLD HISTORY 102
Chapter 7 PUSHKIN AS “UNIVERSAL” POET 113
Chapter 8 CHURCH AND STATE 126
Chapter 9 THE SHAPE OF RUSSIAN IDEALISM 137
Chapter 10 BAKHTIN, BENJAMIN, AND HISTORICAL REPRESENTATION OF THE HOLOCAUST 153
Chapter 11 MITTELEUROPA TO MOSCOW 169
Chapter 12 SCIENCE, PHILOSOPHY, MUSIC 185
Chapter 13 NIETZSCHE’S HIDDEN VOICE IN SOCIALIST REALISM 197
Chapter 14 TRANSNATIONAL AUTHORSHIP ON THE GERMAN-SLAVIC BORDER 212
Chapter 15 “THE STEPMOTHER OF RUSSIAN CITIES” 225
Chapter 16 NABOKOV AND GOETHE 241
Chapter 17 PASTERNAK AND THE RUSSIAN RECEPTION OF HEINE 252
Chapter 18 KAFKA’S “THE HUNGER ARTIST” AND SHALAMOV’S “THE ARTIST OF THE SPADE” 277
APPENDIX 292
CONTRIBUTORS 304
INDEX 308

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https://doi.org/10.1515/9781789203660-021

Kapitel in diesem Buch

Frontmatter i
CONTENTS vii
ACKNOWLEDGMENTS ix
INTRODUCTION 1
Chapter 1 A SWEDISH COUNTESS AND A RUSSIAN EMPRESS 19
Chapter 2 FROM KING-AS-POET TO POET-AS-KING 34
Chapter 3 DREAMS OF A GERMAN(N) IN RUSSIA 50
Chapter 4 THE FANTASTIC IN THE EVERYDAY 62
Chapter 5 THE TYRANNY OF DIFFERENCE 74
Chapter 6 THE TYRANNICAL “KNOUT” OF WORLD HISTORY 102
Chapter 7 PUSHKIN AS “UNIVERSAL” POET 113
Chapter 8 CHURCH AND STATE 126
Chapter 9 THE SHAPE OF RUSSIAN IDEALISM 137
Chapter 10 BAKHTIN, BENJAMIN, AND HISTORICAL REPRESENTATION OF THE HOLOCAUST 153
Chapter 11 MITTELEUROPA TO MOSCOW 169
Chapter 12 SCIENCE, PHILOSOPHY, MUSIC 185
Chapter 13 NIETZSCHE’S HIDDEN VOICE IN SOCIALIST REALISM 197
Chapter 14 TRANSNATIONAL AUTHORSHIP ON THE GERMAN-SLAVIC BORDER 212
Chapter 15 “THE STEPMOTHER OF RUSSIAN CITIES” 225
Chapter 16 NABOKOV AND GOETHE 241
Chapter 17 PASTERNAK AND THE RUSSIAN RECEPTION OF HEINE 252
Chapter 18 KAFKA’S “THE HUNGER ARTIST” AND SHALAMOV’S “THE ARTIST OF THE SPADE” 277
APPENDIX 292
CONTRIBUTORS 304
INDEX 308

APPENDIX

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