Kapitel
Lizenziert
Nicht lizenziert
Erfordert eine Authentifizierung
10 Remembering the Romance: Medievalist Romance in Fantasy Fiction by Guy Gavriel Kay and Charles de Lint
-
Sylwia Borowska-Szerszun
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Introduction: English Canadian Medievalism 1
- 1 “Men of the North”: Archibald Lampman’s Use of Incidents in the Lives of Medieval Monarchs and Aristocrats 17
- 2 “Going Back to the Middle Ages”: Tracing Medievalism in Julia Beckwith Hart’s St. Ursula’s Convent and John Richardson’s Wacousta 36
- 3 John Richardson’s Wacousta and the Transfer of Medievalist Romance 52
- 4 A Canadian Caliban in King Arthur’s Court: Materialist Medievalism and Northern Gothic in William Wilfred Campbell’s Mordred 66
- 5 Orientalist Medievalism in Early Canadian Periodicals 83
- 6 The Collegiate Gothic: Legitimacy and Inheritance in Robertson Davies’s The Rebel Angels 97
- 7 Earle Birney as Public Poet: a Canadian Chaucer? 113
- 8 “That’s what you get for being food”: Margaret Atwood’s Symbolic Cannibalism 129
- 9 Lost in Allegory: Grief and Chivalry in Kit Pearson’s A Perfect, Gentle Knight 143
- 10 Remembering the Romance: Medievalist Romance in Fantasy Fiction by Guy Gavriel Kay and Charles de Lint 155
- 11 Medievalisms and Romance Traditions in Guy Gavriel Kay’s Ysabel 172
- 12 The Medieval Methods of Patrick DeWitt: Undermajordomo Minor 189
- Index 205
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Introduction: English Canadian Medievalism 1
- 1 “Men of the North”: Archibald Lampman’s Use of Incidents in the Lives of Medieval Monarchs and Aristocrats 17
- 2 “Going Back to the Middle Ages”: Tracing Medievalism in Julia Beckwith Hart’s St. Ursula’s Convent and John Richardson’s Wacousta 36
- 3 John Richardson’s Wacousta and the Transfer of Medievalist Romance 52
- 4 A Canadian Caliban in King Arthur’s Court: Materialist Medievalism and Northern Gothic in William Wilfred Campbell’s Mordred 66
- 5 Orientalist Medievalism in Early Canadian Periodicals 83
- 6 The Collegiate Gothic: Legitimacy and Inheritance in Robertson Davies’s The Rebel Angels 97
- 7 Earle Birney as Public Poet: a Canadian Chaucer? 113
- 8 “That’s what you get for being food”: Margaret Atwood’s Symbolic Cannibalism 129
- 9 Lost in Allegory: Grief and Chivalry in Kit Pearson’s A Perfect, Gentle Knight 143
- 10 Remembering the Romance: Medievalist Romance in Fantasy Fiction by Guy Gavriel Kay and Charles de Lint 155
- 11 Medievalisms and Romance Traditions in Guy Gavriel Kay’s Ysabel 172
- 12 The Medieval Methods of Patrick DeWitt: Undermajordomo Minor 189
- Index 205
