Chronological Bibliography of Books, Articles, Book Chapters, and Musical Editions by Lewis Lockwood

Chapters in this book

1. Frontmatter i
2. Contents vii
3. Preface xi
4. Chronological Bibliography of Books, Articles, Book Chapters, and Musical Editions by Lewis Lockwood xv
5. Acknowledgments xxi
6. Introduction 1
7. Part One A Creative Life
8. 1 Of Deserters and Orphans: Beethoven’s Early Exposure to the Opéras-Comiques of Monsigny 7
9. 2 “A Really Excellent and Capable Man”: Beethoven and Johann Traeg 37
10. 3 A Four-Leaf Clover: A Newly Discovered Cello, the Premiere of the Ninth Symphony, Beethoven’s Circle of Friends in Bonn, and a Corrected Edition of the Song “Ruf vom Berge,” WoO 147 50
11. 4 “Where Thought Touches the Blood”: Rhythmic Disturbance as Physical Realism in Beethoven’s Creative Process 78
12. 5 The Sanctification of Beethoven in 1827–28 89
13. Part Two Prometheus / Eroica
14. 6 The Prometheus Theme and Beethoven’s Shift from Avoidance to Embrace of Possibilities 121
15. 7 Beethoven at Heiligenstadt in 1802: Deconstruction, Integration, and Creativity 148
16. 8 “Mit Verstärkung des Orchesters”: The Orchestra Personnel at the First Public Performance of Beethoven’s Eroica 161
17. Part Three Masses
18. 9 “Aber lieber Beethoven, was haben Sie denn wieder da gemacht?” Observations on the Performing Parts for the Premiere of Beethoven’s Mass in C, Opus 86 203
19. 10 Heart to Heart: Beethoven, Archduke Rudolph, and the Missa solemnis 228
20. 11 God and the Voice of Beethoven 244
21. Part Four Quartets
22. 12 “So Here I Am, in the Middle Way”: The Autograph of the “Harp” Quartet and the Expressive Domain of Beethoven’s Second Maturity 259
23. 13 Meaningful Details: Expressive Markings in Beethoven Manuscripts, with a Focus on Opus 127 274
24. 14 The Autograph Score of the Slow Movement of Beethoven’s Last Quartet, Opus 135 332
25. 15 Early German-Language Reviews of Beethoven’s Late String Quartets 355
26. Part Five Explorations
27. 16 Three Movements or Four? The Scherzo Movements in Beethoven’s Early Sonatas 387
28. 17 Utopia and Dystopia Revisited: Contrasted Domains in Beethoven’s Middle-Period F-Major and F-Minor Works 405
29. 18 Schooling the Quintjäger 437
30. 19 Cue-Staff Annotations in Beethoven’s Piano Works: Reflections and Examples from the Autograph of the Piano Sonata, Opus 101 448
31. 20 Another Little Buck Out of Its Stable 466
32. 21 Beethoven’s Cavatina, Haydn’s Seasons, and the Thickness of Inscription 483
33. List of Contributors 529
34. Index of Works by Beethoven 533
35. General Index 539