Chapters in this book

1. Frontmatter i
2. Contents vii
3. List of Illustrations ix
4. List of Music Examples xi
5. Acknowledgements xiii
6. List of Abbreviations xv
7. Introduction 1
8. Part I: Issues and Problems
9. 1. Mind the Gap: Of Chasms, Historical Research, and ‘Romantic’ Performance 11
10. 2. A Modernist Revolution? 35
11. Part II: Ideals
12. 3. A Violinistic Bel Canto? 67
13. 4. A Violinistic Declamatory Ideal? 99
14. Part III: Resources
15. 5. Organology and its Implications 125
16. 6. Teaching Perspectives: Treatises 143
17. 7. Editions as Evidence 159
18. 8. Recordings as a Window upon Romantic Performing Practices 175
19. Part IV: Processes and Practices
20. 9. The ‘Leeds School’: Au 195
21. 10. Joseph Joachim: A Case Study 213
22. Part V: Suggestions and Exercises
23. 11. Technical Exercises 245
24. 12. Stylistic Exercises 259
25. Conclusion 271
26. Book Website Information 277
27. Bibliography 279
28. Discography 299
29. Index 309