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6 “The Boy’s [and Girl’s] Doin’ It”: Moving to America and Rediscovering Africa, 1960–1989
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Kapitel in diesem Buch
- Frontmatter i
- CONTENTS vii
- Acknowledgments ix
- Introduction 1
- 1 “Marvelous Muscles”: A History of Ezekiel Dlamini, the Real King Kong 20
- 2 Creating a “Back of the Moon”: The Union of Southern African Artists and Interracial Collaboration behind the “All-African” Musical 49
- 3 “Quickly in Love”: Popular Reception of the 1959 King Kong and Entertaining the Possibilities of a Different South Africa(s) 86
- 4 “Kwela Kong”: The Trials and Tribulations of a South African Musical Abroad in 1961 121
- 5 “Sad Times, Bad Times”: Issues of Exile, the King Kong Cast, and South African Jazz in Britain, 1961–1980 156
- 6 “The Boy’s [and Girl’s] Doin’ It”: Moving to America and Rediscovering Africa, 1960–1989 184
- 7 “Death Song”: The 1979 Remake of King Kong and the Power of Cultural Memories under Apartheid 228
- Notes 273
- Bibliography 377
- Index 399
Kapitel in diesem Buch
- Frontmatter i
- CONTENTS vii
- Acknowledgments ix
- Introduction 1
- 1 “Marvelous Muscles”: A History of Ezekiel Dlamini, the Real King Kong 20
- 2 Creating a “Back of the Moon”: The Union of Southern African Artists and Interracial Collaboration behind the “All-African” Musical 49
- 3 “Quickly in Love”: Popular Reception of the 1959 King Kong and Entertaining the Possibilities of a Different South Africa(s) 86
- 4 “Kwela Kong”: The Trials and Tribulations of a South African Musical Abroad in 1961 121
- 5 “Sad Times, Bad Times”: Issues of Exile, the King Kong Cast, and South African Jazz in Britain, 1961–1980 156
- 6 “The Boy’s [and Girl’s] Doin’ It”: Moving to America and Rediscovering Africa, 1960–1989 184
- 7 “Death Song”: The 1979 Remake of King Kong and the Power of Cultural Memories under Apartheid 228
- Notes 273
- Bibliography 377
- Index 399