Chapters in this book

1. Frontmatter i
2. Contents v
3. List of Illustrations vii
4. Notes on Contributors xi
5. Abbreviations xiii
6. Preambulum: A Source in Segovia 1
7. 1 In Search of Origins: The Afterlife of a Renaissance Manuscript 7
8. 2 New Light on the Segovia Manuscript: Watermarks, Foliation, and Ownership 37
9. 3 Segovia’s Repertoire: Attributions and Datings (with Special Reference to Jacob Obrecht) 91
10. 4 What Was Segovia For? 129
11. 5 The Latin Texts of the Segovia Manuscript 145
12. 6 The Segovia Manuscript as Chansonnier 167
13. 7 The Segovia Manuscript: Another Look at the ‘Flemish Hypothesis’ 193
14. 8 The Segovia Manuscript: Speculative Notes on the Flemish Connection 215
15. 9 The Written Transmission of Polyphonic Song in Spain c. 1500: The Case of the Segovia Manuscript 231
16. 10 Inventory of Segovia, Archivo Capitular de la Catedral, MS s.s. 271
17. Bibliography 307
18. Index of Compositions 323
19. General Index 335