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Musical Salon Culture in the Long Nineteenth Century
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Mit Beiträgen von:
Sprache:
Englisch
Veröffentlicht/Copyright:
2019
Über dieses Buch
This book reconsiders the significance of the salon as a social and cultural phenomenon and as a source of artistic innovation and exchange in the long nineteenth century.
This collection explores the idea of music in the salon during the long nineteenth century, both as a socio-cultural phenomenon, and as a source of artistic innovation and exchange. Drawing on a wide range of scholarly approaches,this book uses the idea of the salon as a springboard to examine issues such as gender, religion, biography and performance; to explore the ways in which the salon was represented in different media; and to showcase the heterogeneity of the salon through a selection of case studies. It offers fresh considerations of familiar salons in large cultural centres, as well as insights into lesser-known salons in both Europe and the United States. Bringing together an international group of scholars, the collection underscores the enduring impact of the European musical salon.
ANJA BUNZEL holds a research position at the Czech Academy of Sciences. She gained her PhD in Musicology from Maynooth University and has published on Johanna Kinkel and nineteenth-century salon culture in both English and German.
NATASHA LOGES is Head of Postgraduate Programmes at the Royal College of Music, London. Her publications include Brahms in the Home and the Concert Hall (Cambridge, 2014) and Brahms and his Poets (Boydell Press, 2017). She is a pianist, broadcaster and critic.
Contributors: Maren Bagge, PéterBozó, Anja Bunzel, Katie A. Callam, Beatrix Darmstädter, Mary Anne Garnett, Harald Krebs, Clemens Kreutzfeldt, Veronika Kusz, Natasha Loges, Jennifer Ronyak, Kirsten Santos Rutschman, R. Larry Todd, Katharina Uhde, Michael Uhde, Harry White, Petra Wilhelmy-Dollinger, Susan Youens
This collection explores the idea of music in the salon during the long nineteenth century, both as a socio-cultural phenomenon, and as a source of artistic innovation and exchange. Drawing on a wide range of scholarly approaches,this book uses the idea of the salon as a springboard to examine issues such as gender, religion, biography and performance; to explore the ways in which the salon was represented in different media; and to showcase the heterogeneity of the salon through a selection of case studies. It offers fresh considerations of familiar salons in large cultural centres, as well as insights into lesser-known salons in both Europe and the United States. Bringing together an international group of scholars, the collection underscores the enduring impact of the European musical salon.
ANJA BUNZEL holds a research position at the Czech Academy of Sciences. She gained her PhD in Musicology from Maynooth University and has published on Johanna Kinkel and nineteenth-century salon culture in both English and German.
NATASHA LOGES is Head of Postgraduate Programmes at the Royal College of Music, London. Her publications include Brahms in the Home and the Concert Hall (Cambridge, 2014) and Brahms and his Poets (Boydell Press, 2017). She is a pianist, broadcaster and critic.
Contributors: Maren Bagge, PéterBozó, Anja Bunzel, Katie A. Callam, Beatrix Darmstädter, Mary Anne Garnett, Harald Krebs, Clemens Kreutzfeldt, Veronika Kusz, Natasha Loges, Jennifer Ronyak, Kirsten Santos Rutschman, R. Larry Todd, Katharina Uhde, Michael Uhde, Harry White, Petra Wilhelmy-Dollinger, Susan Youens
Information zu Autoren / Herausgebern
Contributor: Natasha Loges
NATASHA LOGES is Professor of Musicology at the Hochschule für Musik Freiburg. She was previously Head of Postgraduate Programmes at the Royal College of Music, London.
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Contributor: Natasha Loges
NATASHA LOGES is Professor of Musicology at the Hochschule für Musik Freiburg. She was previously Head of Postgraduate Programmes at the Royal College of Music, London.
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Contributor: R. Larry Todd
R. LARRY TODD is Arts & Sciences Professor at Duke University
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Contributor: Katharina Uhde
KATHARINA UHDE is Associate Professor of Violin and Musicology, Valparaiso University; and Akademische Oberrätin, LMU Munich
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Contributor: Harry White
HARRY WHITE is Professor of Music at University College Dublin, a Fellow of the Royal Irish Academy of Music and Series Editor (with Lorraine Byrne Bodley) of Irish Musical Studies.
Fachgebiete
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Frontmatter
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Contents
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List of Illustrations
vii -
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List of Music Examples
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List of Tables
xiii -
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Notes on Contributors
xiv -
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Acknowledgements
xvii -
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Introduction
1 - Part I. Concepts and Contexts
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1 Johanna Kinkel’s Social Life in Berlin (1836–39): Reflections on Historiographical Sources
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2 Accidental Aesthetics in the Salon: Amateurism and the Romantic Fragment in the Lied Sketches of Bettina von Arnim
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3 Salon Culture in the Circle of Joseph Joachim, or, Composing Inwardness: C. J. Arnold’s Quartettabend bei Bettina von Arnim Reconsidered
43 -
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4 Reading, Singing, Becoming: The Mädchenlieder of Paul Heyse and Johannes Brahms
65 - Part II. Representations of the Salon
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5 Fridays with Malla: Musical Repertoire in the Swedish Salon of Malla Silfverstolpe
79 -
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6 Observing Musical Salon Culture in England c. 1800 through the Lens of the Caricature
95 -
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7 The Salon Singer as Subject of Satire in France during the July Monarchy
109 -
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8 The Instruments of the Vienna Biedermeier Salon: Diversity in Design, Sound and Technology
123 -
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9 Offenbach and the Representation of the Salon
139 -
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10 Affordances of the Piano: A Cinematic Representation of the Victorian Salon
153 - Part III. Case Studies
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11 ‘Der Mensch ist zur Geselligkeit geboren’: Salon Culture, Night Thoughts and a Schubert Song
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12 Traditions, Preferences and Musical Taste in the Staegemann- Olfers Salon in Nineteenth-Century Berlin
185 -
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13 Josephine Lang and the Salon in Southern Germany
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14 Jessie Hillebrand and Musical Life in 1870s Florence
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15 An Invitation to 309 Beacon Street: Clara Kathleen Rogers and her Boston Salon
225 -
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16 ‘Too Much Playing Four Hands!’: Ernst von Dohnányi’s European Salon in the United States of the 1950s
239 -
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Select Bibliography
255 -
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Index
271
Informationen zur Veröffentlichung
Seiten und Bilder/Illustrationen im Buch
eBook veröffentlicht am:
21. Februar 2024
eBook ISBN:
9781787445345
Ursprünglicher Verlag:
Boydell Press
Seiten und Bilder/Illustrationen im Buch
eBook ISBN:
9781787445345
Zielgruppe(n) für dieses Buch
For an expert adult audience, including professional development and academic research
