Chapters in this book

1. Frontmatter i
2. Contents v
3. List of Illustrations vii
4. List of Contributors ix
5. Acknowledgements xi
6. List of Abbreviations xii
7. Introduction 1
8. PRODUCING TEXTS
9. 1. Gower’s ‘Epistle to Archbishop Arundel’: The Evidence of Oxford, All Souls College, MS 98 11
10. 2. From Oxford to Eton with Master John Maunshull: Teaching the Tria sunt in Bodleian Library MS Laud misc. 707 35
11. 3. Gavin Douglas, Aesthetic Organization and Individual Distraction 53
12. 4. Gavin Douglas’s Eneados: The 1553 Edition and its Early Owners and Readers 73
13. 5. Caxton and the Crown: The Evidence from the Exchequer of Receipt Reconsidered 89
14. 6. Late Medieval Books of Hours and Their Early Tudor Readers In and Around London 107
15. 7. London, British Library, MS Harley 367 and the Antiquarian Ideals of John Stow 123
16. READING INFLUENCE
17. 8. Writing Revelation: The Book of Margery Kempe 145
18. 9. ‘What strange ruins’: Reading Back to Thebes 167
19. 10. Tyre in Africa: Dido’s Flight and Sallust’s Jugurtha 183
20. 11. Trinitarian Piety and Married Chastity in The Pistel of Swete Susan 203
21. 12. True Image? Alternative Veronicas in Late Medieval England 219
22. 13. The curelesse wound: Henry Howard, Earl of Surrey and the Poetry of Blood 241
23. Afterword 261
24. Julia Boffey: A Bibliography 265
25. Manuscript Index 277
26. General Index 279
27. Tabula Gratulatoria 290