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4: Reflections and Refractions of the Anschluss on the Hollywood Screen, 1941–42
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Chapters in this book
- Frontmatter i
- Contents v
- List of Illustrations vii
- Acknowledgments ix
- Introduction 1
- 1: Erich Stroheim, His Austria(ns), and Their US Contexts 23
- 2: Cross-Cultural Encounters of the Intimate Kind: Hollywood’s Americans in Love with Austria(ns), 1932–60 39
- 3: The Empire Strikes Back: Imperial Austria Fights Nazis, 1938–41 69
- 4: Reflections and Refractions of the Anschluss on the Hollywood Screen, 1941–42 95
- 5: Confronting and Escaping History: The Cardinal (1963) and The Sound of Music (1965) 113
- Conclusion: Hollywood’s Austria—Its Past, Present, Future 131
- Appendix: Hollywood Films Set in Austria 137
- Notes 141
- Bibliography 167
- Index 191
Chapters in this book
- Frontmatter i
- Contents v
- List of Illustrations vii
- Acknowledgments ix
- Introduction 1
- 1: Erich Stroheim, His Austria(ns), and Their US Contexts 23
- 2: Cross-Cultural Encounters of the Intimate Kind: Hollywood’s Americans in Love with Austria(ns), 1932–60 39
- 3: The Empire Strikes Back: Imperial Austria Fights Nazis, 1938–41 69
- 4: Reflections and Refractions of the Anschluss on the Hollywood Screen, 1941–42 95
- 5: Confronting and Escaping History: The Cardinal (1963) and The Sound of Music (1965) 113
- Conclusion: Hollywood’s Austria—Its Past, Present, Future 131
- Appendix: Hollywood Films Set in Austria 137
- Notes 141
- Bibliography 167
- Index 191
