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Introduction: Contemporary German- Language Illness Writing as Literature; Analyzing Narrative Strategies, Aesthetic Forms, and Experimentations with Genre through the Lens of Disability Theory
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Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: Contemporary German- Language Illness Writing as Literature; Analyzing Narrative Strategies, Aesthetic Forms, and Experimentations with Genre through the Lens of Disability Theory 1
- 1: Autofiction, Disgust, and Trauma: Negotiating Vulnerable Subject Positions in Charlotte Roche’s Schoßgebete (2011) 41
- 2: Looking Beyond the Self—Reflecting the Other: Staring as a Narrative Device in Kathrin Schmidt’s Du stirbst nicht (2009) 67
- 3: Intertextuality and the Transnational in Verena Stefan’s Fremdschläfer (2007): Writing Breast Cancer from beyond the Border 92
- 4: Confronting Cancer Publicly: Diary Writing in Extremis by Christoph Schlingensief and Wolfgang Herrndorf 114
- Conclusion: “Und was dann”; Recent Developments and Research Desiderata 159
- Notes 167
- Bibliography 209
- Index 229
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: Contemporary German- Language Illness Writing as Literature; Analyzing Narrative Strategies, Aesthetic Forms, and Experimentations with Genre through the Lens of Disability Theory 1
- 1: Autofiction, Disgust, and Trauma: Negotiating Vulnerable Subject Positions in Charlotte Roche’s Schoßgebete (2011) 41
- 2: Looking Beyond the Self—Reflecting the Other: Staring as a Narrative Device in Kathrin Schmidt’s Du stirbst nicht (2009) 67
- 3: Intertextuality and the Transnational in Verena Stefan’s Fremdschläfer (2007): Writing Breast Cancer from beyond the Border 92
- 4: Confronting Cancer Publicly: Diary Writing in Extremis by Christoph Schlingensief and Wolfgang Herrndorf 114
- Conclusion: “Und was dann”; Recent Developments and Research Desiderata 159
- Notes 167
- Bibliography 209
- Index 229