Contents

Chapters in this book

1. Frontmatter i
2. Contents vii
3. Acknowledgments ix
4. Introduction 1
5. 1: The Art of Montage in the Age of Hyperstimulation 24
6. 2: The Birth of Literary Montage from the Spirit of Contemporary Reviews of Berlin Alexanderplatz 65
7. 3: Montage Practice: The Redemption of Jutzi’s Berlin Alexanderplatz 108
8. 4: Fassbinder’s Berlin Alexanderplatz, Symphony of an Invisible City 138
9. Conclusion 180
10. Notes 183
11. Bibliography 215
12. Filmography 235
13. Index 237