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2. Emotive Subjectivity: Egils saga Skallagrímssonar 3. Voice and Vocalisation

© 2017, Boydell and Brewer

© 2017, Boydell and Brewer

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Acknowledgements vii
  4. Note on the text ix
  5. Introduction 1
  6. 1. Literary Identities and Emotive Scripts : Ívens saga and Tristrams saga ok Ísöndar 25
  7. 2. Emotive Subjectivity: Egils saga Skallagrímssonar 3. Voice and Vocalisation 57
  8. 3. Voice and Vocalisation: Sonatorrek and Eddic Poetry 79
  9. 4. Public Masking and Emotive Interiority: Brennu-Njáls saga and Laxdoela saga 117
  10. 5. Modulating Emotion: Sigurðar saga þõgla and the Maiden-King Romance 145
  11. Conclusion 175
  12. Bibliography 181
  13. Index 205
Emotion in Old Norse Literature
This chapter is in the book Emotion in Old Norse Literature
https://doi.org/10.1515/9781787440746-005

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Acknowledgements vii
  4. Note on the text ix
  5. Introduction 1
  6. 1. Literary Identities and Emotive Scripts : Ívens saga and Tristrams saga ok Ísöndar 25
  7. 2. Emotive Subjectivity: Egils saga Skallagrímssonar 3. Voice and Vocalisation 57
  8. 3. Voice and Vocalisation: Sonatorrek and Eddic Poetry 79
  9. 4. Public Masking and Emotive Interiority: Brennu-Njáls saga and Laxdoela saga 117
  10. 5. Modulating Emotion: Sigurðar saga þõgla and the Maiden-King Romance 145
  11. Conclusion 175
  12. Bibliography 181
  13. Index 205
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