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6: The Iconography of Girodet’s Endymion during the French Revolution
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Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: The Polyvalence of Romanticism 1
-
Part I. Romanticism and the Literatures
- 1: Werther and Harold: Rapport and Difference in the Literary Articulation of the Romantic Subject 13
- 2: Balzac and the French New Wave: A Problematic but Enticing Relationship 34
- 3: Romantic Relations and Constructive Affinities: Notions of Family in Kater Murr 49
- 4: Françoise’s Way and Bloch’s Way: Two Paths of French Romanticism in Proust’s À la recherche 66
-
Part II. Romanticism, Music, and the Visual Arts
- 5: Liminal Transgressions: Gautier’s Vampires in Giselle and La morte amoureuse 81
- 6: The Iconography of Girodet’s Endymion during the French Revolution 96
-
Part III. Romanticism and Science, Technology, Philosophy
- 7: A Romantic Scientist in Percy Shelley’s Alastor 123
- 8: Canines and Other Quadrupeds: Human and Animal Relations Staged in Romantic Drama 138
- 9: Goethe and Individuation 159
- Notes on the Contributors 173
- Index 175
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: The Polyvalence of Romanticism 1
-
Part I. Romanticism and the Literatures
- 1: Werther and Harold: Rapport and Difference in the Literary Articulation of the Romantic Subject 13
- 2: Balzac and the French New Wave: A Problematic but Enticing Relationship 34
- 3: Romantic Relations and Constructive Affinities: Notions of Family in Kater Murr 49
- 4: Françoise’s Way and Bloch’s Way: Two Paths of French Romanticism in Proust’s À la recherche 66
-
Part II. Romanticism, Music, and the Visual Arts
- 5: Liminal Transgressions: Gautier’s Vampires in Giselle and La morte amoureuse 81
- 6: The Iconography of Girodet’s Endymion during the French Revolution 96
-
Part III. Romanticism and Science, Technology, Philosophy
- 7: A Romantic Scientist in Percy Shelley’s Alastor 123
- 8: Canines and Other Quadrupeds: Human and Animal Relations Staged in Romantic Drama 138
- 9: Goethe and Individuation 159
- Notes on the Contributors 173
- Index 175