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Introduction: Lazarus and the modern world
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Chapters in this book
- Frontmatter i
- Contents vii
- Illustrations ix
- Acknowledgements xii
- Introduction: Lazarus and the modern world 1
-
Part I Lazarus among Us
- Lazarean Dreams 29
- Lazarean Literature 49
-
Part II Situating Cayrol’s Lazarean
- CHAPTER 1 Lazarean Writing in Post-war France 65
- CHAPTER 2 The Perpetual Anxiety of Lazarus the gaze, the tomb and the body in the shroud 93
-
Part III Reading with the Lazarean
- CHAPTER 3 Concentrationary Art and the Reading of Everyday Life (in)human spaces in Chantal Akerman’s Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975) 123
- CHAPTER 4 Cinematic Work as Concentrationary Art in Laurent Cantet’s Ressources humaines (1999) 145
- CHAPTER 5 After Haunting a conceptualization of the Lazarean image 172
- CHAPTER 6 Lazarean Sound the autonomy of the auditory from Hanns Eisler (nuit et brouillard, 1955) to Susan Philipsz (night and fog, 2016) 191
- Concluding Remarks 235
- Index 251
Chapters in this book
- Frontmatter i
- Contents vii
- Illustrations ix
- Acknowledgements xii
- Introduction: Lazarus and the modern world 1
-
Part I Lazarus among Us
- Lazarean Dreams 29
- Lazarean Literature 49
-
Part II Situating Cayrol’s Lazarean
- CHAPTER 1 Lazarean Writing in Post-war France 65
- CHAPTER 2 The Perpetual Anxiety of Lazarus the gaze, the tomb and the body in the shroud 93
-
Part III Reading with the Lazarean
- CHAPTER 3 Concentrationary Art and the Reading of Everyday Life (in)human spaces in Chantal Akerman’s Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975) 123
- CHAPTER 4 Cinematic Work as Concentrationary Art in Laurent Cantet’s Ressources humaines (1999) 145
- CHAPTER 5 After Haunting a conceptualization of the Lazarean image 172
- CHAPTER 6 Lazarean Sound the autonomy of the auditory from Hanns Eisler (nuit et brouillard, 1955) to Susan Philipsz (night and fog, 2016) 191
- Concluding Remarks 235
- Index 251