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Chapters in this book
- Frontmatter i
- Contents v
- List of Figures vii
- Contributors x
- Acknowledgements xiii
- 1. Introduction: Academic anthropology and the Museum. Back to the Future 1
-
Part I. Anthropological encounters with the post-colonial museum
- 2. The photological apparatus and the desiring machine. Unexpected congruences between the Koninklijk Museum, Tervuren and the Umistà Centre, Alert Bay 17
- 3. Picturing the museum: photography and the work of mediation in the Third Portuguese Empire 36
- 4. On the pre-museum history of Baldwin Spencer’s collection of Tiwi artefacts 55
-
Part II. Ethnographic museums and ethnographic museology ‘at home’
- 5. Anthropology at home and in the museum: the case of the Musée National des Arts et Traditions Populaires in Paris 75
- 6. ‘Does anthropology need museums?’ Teaching ethnographic museology in Portugal, Thirty Years Later 92
-
Part III. Science museums as an ethnographic challenge
- 7. Towards an ethnography of museums: science, technology and us 105
- 8. Behind the Scenes at the Science Museum, London. Knowing, making and using 117
-
Part IV. Anthropologists as cultural producers
- 9. Unsettling the meaning: critical museology, art and anthropological discourse 141
- 10. Inside out: cultural production in the museum and the academy 162
- 11. The art of exhibition making as a problem of translation 177
-
Part V. Looking ahead
- 12. Why post-millennial museums will need fuzzy guerrillas 199
- Bibliography 212
- Index 231
Chapters in this book
- Frontmatter i
- Contents v
- List of Figures vii
- Contributors x
- Acknowledgements xiii
- 1. Introduction: Academic anthropology and the Museum. Back to the Future 1
-
Part I. Anthropological encounters with the post-colonial museum
- 2. The photological apparatus and the desiring machine. Unexpected congruences between the Koninklijk Museum, Tervuren and the Umistà Centre, Alert Bay 17
- 3. Picturing the museum: photography and the work of mediation in the Third Portuguese Empire 36
- 4. On the pre-museum history of Baldwin Spencer’s collection of Tiwi artefacts 55
-
Part II. Ethnographic museums and ethnographic museology ‘at home’
- 5. Anthropology at home and in the museum: the case of the Musée National des Arts et Traditions Populaires in Paris 75
- 6. ‘Does anthropology need museums?’ Teaching ethnographic museology in Portugal, Thirty Years Later 92
-
Part III. Science museums as an ethnographic challenge
- 7. Towards an ethnography of museums: science, technology and us 105
- 8. Behind the Scenes at the Science Museum, London. Knowing, making and using 117
-
Part IV. Anthropologists as cultural producers
- 9. Unsettling the meaning: critical museology, art and anthropological discourse 141
- 10. Inside out: cultural production in the museum and the academy 162
- 11. The art of exhibition making as a problem of translation 177
-
Part V. Looking ahead
- 12. Why post-millennial museums will need fuzzy guerrillas 199
- Bibliography 212
- Index 231