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13. The German Reich Film Archive in an International Context
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Chapters in this book
- Frontmatter i
- Contents v
- List of Figures vii
- Acknowledgements ix
- Introduction: The Emergence of Film Culture 1
-
I. Formations of Knowledge
- 1. Policing Race: Postcolonial Critique, Censorship and Regulatory Responses to the Cinema in Weimar Film Culture 21
- 2. The Visible Woman in and against Béla Balázs 46
- 3. Encounters in Darkened Rooms: Alternative Programming of the Dutch Filmliga, 1927–31 72
- 4. When Was Soviet Cinema Born? The Institutionalization of Soviet Film Studies and the Problems of Periodization 118
-
II. Networks of Exchange
- 5. Eastern Avatars: Russian Influence on European Avant- Gardes 143
- 6. Early Yugoslav Ciné-amateurism: Cinéphilia and the Institutionalization of Film Culture in the Kingdom of Yugoslavia during the Interwar Period 162
- 7. Soviet–Italian Cinematic Exchanges: Transnational Film Education in the 1930s 180
- 8. The Avant-Garde, Education and Marketing: The Making of Non-theatrical Film Culture in Interwar Switzerland 199
-
III Emergence of Institutions
- 9. Interwar Film Culture in Sweden: Avant-Garde Transactions in the Emergent Welfare State 227
- 10. Building the Institution: Luigi Chiarini and Italian Film Culture in the 1930s 249
- 11. A New Art for a New Society? The Emergence and Development of Film Schools in Europe 268
- 12. Institutions of Film Culture: Festivals and Archives as Network Nodes 283
- 13. The German Reich Film Archive in an International Context 306
- Notes on Contributors 339
- Select Bibliography 343
- Index 365
Chapters in this book
- Frontmatter i
- Contents v
- List of Figures vii
- Acknowledgements ix
- Introduction: The Emergence of Film Culture 1
-
I. Formations of Knowledge
- 1. Policing Race: Postcolonial Critique, Censorship and Regulatory Responses to the Cinema in Weimar Film Culture 21
- 2. The Visible Woman in and against Béla Balázs 46
- 3. Encounters in Darkened Rooms: Alternative Programming of the Dutch Filmliga, 1927–31 72
- 4. When Was Soviet Cinema Born? The Institutionalization of Soviet Film Studies and the Problems of Periodization 118
-
II. Networks of Exchange
- 5. Eastern Avatars: Russian Influence on European Avant- Gardes 143
- 6. Early Yugoslav Ciné-amateurism: Cinéphilia and the Institutionalization of Film Culture in the Kingdom of Yugoslavia during the Interwar Period 162
- 7. Soviet–Italian Cinematic Exchanges: Transnational Film Education in the 1930s 180
- 8. The Avant-Garde, Education and Marketing: The Making of Non-theatrical Film Culture in Interwar Switzerland 199
-
III Emergence of Institutions
- 9. Interwar Film Culture in Sweden: Avant-Garde Transactions in the Emergent Welfare State 227
- 10. Building the Institution: Luigi Chiarini and Italian Film Culture in the 1930s 249
- 11. A New Art for a New Society? The Emergence and Development of Film Schools in Europe 268
- 12. Institutions of Film Culture: Festivals and Archives as Network Nodes 283
- 13. The German Reich Film Archive in an International Context 306
- Notes on Contributors 339
- Select Bibliography 343
- Index 365