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Chapter 13 The Silence of Amsterdam before and during World War II: Ecology, Semiotics, and Politics of Urban Sound
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Annelies Jacobs
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- List of Figures vii
- Introduction 1
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Part I: Sound History in Perspective
- Chapter 1 Futures of Hearing Pasts 13
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Part II: Literature, Science, and Sound Technologies in the Nineteenth Century
- Chapter 2 English Beat: The Stethoscopic Era’s Sonic Traces 25
- Chapter 3 The Human Telephone: Physiology, Neurology, and Sound Technologies 46
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Part III: Sound Objects as Artifacts of Attraction
- Chapter 4 Listening to the Horn: On the Cultural History of the Phonograph and the Gramophone 71
- Chapter 5 Phones, Horns, and “Audio Hoods” as Media of Attraction: Early Sound Histories in Vienna between 1883 and 1933 101
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Part IV : Music Listening in the Laboratory and in the Concert Hall
- Chapter 6 From the Piano Pestilence to the Phonograph Solo: Four Case Studies of Musical Expertise in the Laboratory and on the City Street 129
- Chapter 7 The Invention of Silence: Audience Behavior in Berlin and London in the Nineteenth Century 153
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Part V: The Sounds of World War I
- Chapter 8 Cheers, Songs, and Marching Sounds: Acoustic Mobilization and Collective Affects at the Beginning of World War I 177
- Chapter 9 Listening on the Home Front: Music and the Production of Social Meaning in German Concert Halls during World War I 201
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Part VI: Auditory Cultures in the Interwar Period
- Chapter 10 In Storms of Steel: The Soundscape of World War I and its Impact on Auditory Media Culture during the Weimar Period 227
- Chapter 11 Sound Aesthetics and the Global Imagination in German Media Culture around 1930 256
- Chapter 12 Neurasthenia, Civilization, and the Sounds of Modern Life: Narratives of Nervous Illness in the Interwar Campaign against Noise 278
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Part VII: The Sounds of World War II
- Chapter 13 The Silence of Amsterdam before and during World War II: Ecology, Semiotics, and Politics of Urban Sound 305
- Notes on Contributors 325
- Index 329
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- List of Figures vii
- Introduction 1
-
Part I: Sound History in Perspective
- Chapter 1 Futures of Hearing Pasts 13
-
Part II: Literature, Science, and Sound Technologies in the Nineteenth Century
- Chapter 2 English Beat: The Stethoscopic Era’s Sonic Traces 25
- Chapter 3 The Human Telephone: Physiology, Neurology, and Sound Technologies 46
-
Part III: Sound Objects as Artifacts of Attraction
- Chapter 4 Listening to the Horn: On the Cultural History of the Phonograph and the Gramophone 71
- Chapter 5 Phones, Horns, and “Audio Hoods” as Media of Attraction: Early Sound Histories in Vienna between 1883 and 1933 101
-
Part IV : Music Listening in the Laboratory and in the Concert Hall
- Chapter 6 From the Piano Pestilence to the Phonograph Solo: Four Case Studies of Musical Expertise in the Laboratory and on the City Street 129
- Chapter 7 The Invention of Silence: Audience Behavior in Berlin and London in the Nineteenth Century 153
-
Part V: The Sounds of World War I
- Chapter 8 Cheers, Songs, and Marching Sounds: Acoustic Mobilization and Collective Affects at the Beginning of World War I 177
- Chapter 9 Listening on the Home Front: Music and the Production of Social Meaning in German Concert Halls during World War I 201
-
Part VI: Auditory Cultures in the Interwar Period
- Chapter 10 In Storms of Steel: The Soundscape of World War I and its Impact on Auditory Media Culture during the Weimar Period 227
- Chapter 11 Sound Aesthetics and the Global Imagination in German Media Culture around 1930 256
- Chapter 12 Neurasthenia, Civilization, and the Sounds of Modern Life: Narratives of Nervous Illness in the Interwar Campaign against Noise 278
-
Part VII: The Sounds of World War II
- Chapter 13 The Silence of Amsterdam before and during World War II: Ecology, Semiotics, and Politics of Urban Sound 305
- Notes on Contributors 325
- Index 329