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INTRODUCTION From International ‘High Art’ to the Parisian Political Melee
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Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgements vii
- INTRODUCTION From International ‘High Art’ to the Parisian Political Melee 1
- CHAPTER ONE The Cinema of Self-promotion: Patriotic Subtexts in ‘Films about Films’ 16
- CHAPTER TWO The Search for National Unity through History 43
- CHAPTER THREE The Representation of a Modern Chic People 74
- CHAPTER FOUR A Paradox in Anti-Americanism: Public Protest and Visual Ambiguity 100
- CHAPTER FIVE The Maintenance of Neocolonial Attitudes 129
- CHAPTER SIX The Persistence of Anti-Semitism 157
- CHAPTER SEVEN The Cinema and the Extreme Right-wing Undercurrent 189
- Conclusion 216
- Bibliography 223
- Index 231
Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgements vii
- INTRODUCTION From International ‘High Art’ to the Parisian Political Melee 1
- CHAPTER ONE The Cinema of Self-promotion: Patriotic Subtexts in ‘Films about Films’ 16
- CHAPTER TWO The Search for National Unity through History 43
- CHAPTER THREE The Representation of a Modern Chic People 74
- CHAPTER FOUR A Paradox in Anti-Americanism: Public Protest and Visual Ambiguity 100
- CHAPTER FIVE The Maintenance of Neocolonial Attitudes 129
- CHAPTER SIX The Persistence of Anti-Semitism 157
- CHAPTER SEVEN The Cinema and the Extreme Right-wing Undercurrent 189
- Conclusion 216
- Bibliography 223
- Index 231