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Chapters in this book
- Frontmatter i
- Contents ix
- List of illustrations x
- Acknowledgements xi
- Acknowledgements xiii
- Introduction 1
-
PART I HISTORY AND THE PRESENT
- 1 Anna Jameson and the use of picturesque history 17
- 2 Hannah Lawrance and the Claims of Women’s History 45
- 3 Margaret Oliphant and the Lessons of Eighteenth-Century History 71
-
PART II LITERATURE, ART AND LIFE
- 4 Anna Jameson, cultural authority and public moralism 95
- 5 Beautiful and Useful Arts in Hannah Lawrance’s Cultural Criticism 128
- 6 Marian Evans ’s Cultural Criticism in the Context of Women’s Public Moralism 155
-
PART III CHANGE AND CONTINUITY FROM THE FIN-DE-SIÈCLE TO MODERNITY
- 7 Eliza Lynn Linton and feminism at the turn of the century 175
- 8 Beatrice Hastings, Rebecca West and Women’s Rights at the Turn of the Century 192
- 9 Virginia Woolf ’s Common Reader and her Social Criticism 207
- The Contexts of Conclusions 228
- Bibliography 231
- Index 279
Chapters in this book
- Frontmatter i
- Contents ix
- List of illustrations x
- Acknowledgements xi
- Acknowledgements xiii
- Introduction 1
-
PART I HISTORY AND THE PRESENT
- 1 Anna Jameson and the use of picturesque history 17
- 2 Hannah Lawrance and the Claims of Women’s History 45
- 3 Margaret Oliphant and the Lessons of Eighteenth-Century History 71
-
PART II LITERATURE, ART AND LIFE
- 4 Anna Jameson, cultural authority and public moralism 95
- 5 Beautiful and Useful Arts in Hannah Lawrance’s Cultural Criticism 128
- 6 Marian Evans ’s Cultural Criticism in the Context of Women’s Public Moralism 155
-
PART III CHANGE AND CONTINUITY FROM THE FIN-DE-SIÈCLE TO MODERNITY
- 7 Eliza Lynn Linton and feminism at the turn of the century 175
- 8 Beatrice Hastings, Rebecca West and Women’s Rights at the Turn of the Century 192
- 9 Virginia Woolf ’s Common Reader and her Social Criticism 207
- The Contexts of Conclusions 228
- Bibliography 231
- Index 279