Chapter
Publicly Available
Contents
-
Donald G. Traut
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction 1
- 1 Context and Composition 5
- 2 Concerto as Catalyst 32
- 3 Analytical Tools and Recurring Elements 51
- 4 Counterpoint and Tonality in the First Movement 67
- 5 Tetrachords and Tritones in the Largo 95
- 6 Points of Imitation in the Finale 111
- Conclusion 129
- Appendix 139
- Notes 141
- Bibliography 149
- Index 153
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction 1
- 1 Context and Composition 5
- 2 Concerto as Catalyst 32
- 3 Analytical Tools and Recurring Elements 51
- 4 Counterpoint and Tonality in the First Movement 67
- 5 Tetrachords and Tritones in the Largo 95
- 6 Points of Imitation in the Finale 111
- Conclusion 129
- Appendix 139
- Notes 141
- Bibliography 149
- Index 153