Chapter
Publicly Available
Contents
Chapters in this book
- Frontmatter i
- Contents v
- List of Illustrations vi
- Notes on Contributors vii
- Introduction: Writing China 1
- Urbanization, Generic Forms, and Early Modernity: A Correlative Comparison of Wu Cheng’en and Spenser’s Rural-Pastoral Poems 11
- Master Zhuang’s Wife: Translating the Ephesian Matron in Thomas Percy’s The Matrons (1762) 32
- The Dark Gift: Opium, John Francis Davis, Thomas De Quincey, and the Amherst Embassy to China of 1816 56
- The Amherst Embassy in the Shadow of Tambora: Climate and Culture, 1816 83
- Tea and the Limits of Orientalism in De Quincey’s Confessions of an English Opium-Eater 105
- Binding and Unbinding Chinese Feet in the Mid-Century Victorian Press 132
- Elective Affinities? Two Moments of Encounter with Oscar Wilde’s Writings 152
- ‘Lost Horizon’: Orientalism and the Question of Tibet 167
- Index 188
Chapters in this book
- Frontmatter i
- Contents v
- List of Illustrations vi
- Notes on Contributors vii
- Introduction: Writing China 1
- Urbanization, Generic Forms, and Early Modernity: A Correlative Comparison of Wu Cheng’en and Spenser’s Rural-Pastoral Poems 11
- Master Zhuang’s Wife: Translating the Ephesian Matron in Thomas Percy’s The Matrons (1762) 32
- The Dark Gift: Opium, John Francis Davis, Thomas De Quincey, and the Amherst Embassy to China of 1816 56
- The Amherst Embassy in the Shadow of Tambora: Climate and Culture, 1816 83
- Tea and the Limits of Orientalism in De Quincey’s Confessions of an English Opium-Eater 105
- Binding and Unbinding Chinese Feet in the Mid-Century Victorian Press 132
- Elective Affinities? Two Moments of Encounter with Oscar Wilde’s Writings 152
- ‘Lost Horizon’: Orientalism and the Question of Tibet 167
- Index 188