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Forgotten Dreams
Revisiting Romanticism in the Cinema of Werner Herzog
Sprache:
Englisch
Veröffentlicht/Copyright:
2016
Über dieses Buch
Offers not only an analytical study of the films of Herzog, perhaps the most famous living German filmmaker, but also a new reading of Romanticism's impact beyond the nineteenth century and in the present.
Werner Herzog (b. 1942) is perhaps the most famous living German filmmaker, but his films have never been read in the context of German cultural history. And while there is a surfeit of film reviews, interviews, and scholarly articles on Herzog and his work, there are very few books devoted to his films, and none addressing his entire career to date. Until now.
Forgotten Dreams offers not only an analytical study of Herzog's films but also a new reading of Romanticism's impact beyond the nineteenth century. It argues that his films re-envision and help us better understand a critical stream in Romanticism, and places the films in conversation with other filmmakers, authors, and philosophers in order to illuminate that critical stream. The result is a lively reconnection with Romantic themes and convictions that have been partly forgotten in the midst of Germany's postwar rejection of much of Romantic thought, yet are still operative in German culture today. The film analyses will interest scholars of film, German Studies, and Romanticism as well as a broader public interested in Herzog's films and contemporary German cultural debates. The book will also appeal to those interested in the ongoing renegotiation - by Western and other cultures - of relationships between reason and passion, civilization and wild nature, knowledge and belief.
Werner Herzog (b. 1942) is perhaps the most famous living German filmmaker, but his films have never been read in the context of German cultural history. And while there is a surfeit of film reviews, interviews, and scholarly articles on Herzog and his work, there are very few books devoted to his films, and none addressing his entire career to date. Until now.
Forgotten Dreams offers not only an analytical study of Herzog's films but also a new reading of Romanticism's impact beyond the nineteenth century. It argues that his films re-envision and help us better understand a critical stream in Romanticism, and places the films in conversation with other filmmakers, authors, and philosophers in order to illuminate that critical stream. The result is a lively reconnection with Romantic themes and convictions that have been partly forgotten in the midst of Germany's postwar rejection of much of Romantic thought, yet are still operative in German culture today. The film analyses will interest scholars of film, German Studies, and Romanticism as well as a broader public interested in Herzog's films and contemporary German cultural debates. The book will also appeal to those interested in the ongoing renegotiation - by Western and other cultures - of relationships between reason and passion, civilization and wild nature, knowledge and belief.
Rezensionen
Johnson . . . offers a new perspective on the romanticism/Herzog connection. . . . Forgotten Dreams is an in-depth analysis of certain romantic tendencies and how one might read Herzog's films as visual and - to a lesser degree - aural representations of the same. [The book] is an engaging contribution to the philosophical and cultural history of German Romanticism . . . [and shows] how this movement may yield insights into film analysis and history. It is also a worthy resource for Herzog scholars for its discussion of his lesser-known films. Literary, cultural, and film scholars will find many valuable insights in Laurie Ruth Johnson's interdisciplinary study.
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Laurie Johnson's book expands Herzog criticism in important aspects.
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[A] worthy addition to any interdisciplinary study of Herzog's films - and the influence of alternative German romanticism as well as formal romanticism on moviemaking . . . . [A]n impressive unravelling of Werner Herzog's valuable contribution to cinema through a viewpoint not previously attempted, shining a light on some intriguing cultural influences and their effects on this fascinating filmmaker.
Fachgebiete
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Frontmatter
i -
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Contents
vii -
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List of Illustrations
ix -
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Acknowledgments
xi -
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List of Abbreviations
xiv -
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Introduction: Werner Herzog’s Films and the Other Discourse of Romanticism
1 -
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1: Image and Knowledge
12 -
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2: Surface and Depth
72 -
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3: Beauty and Sublimity
117 -
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4: Man and Animal
152 -
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5: Sound and Silence
180 -
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Conclusion: Herzog’s Romantic Cinema
208 -
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Notes
219 -
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Bibliography
259 -
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Index
285
Informationen zur Veröffentlichung
Seiten und Bilder/Illustrationen im Buch
eBook veröffentlicht am:
17. Januar 2024
eBook ISBN:
9781782046905
Ursprünglicher Verlag:
Camden House
Seiten und Bilder/Illustrationen im Buch
eBook ISBN:
9781782046905
Zielgruppe(n) für dieses Buch
For an expert adult audience, including professional development and academic research
