Chapters in this book

1. Frontmatter i
2. CONTENTS v
3. FOREWORD vii
4. ACKNOWLEDGMENTS xxi
5. INTRODUCTION Julius Eastman and His Music 1
6. CHAPTER ONE. JULIUS EASTMAN, A BIOGRAPHY 9
7. CHAPTER TWO. UNJUST MALAISE 75
8. CHAPTER THREE. THE JULIUS EASTMAN PARABLES 83
9. CHAPTER FOUR. JULIUS EASTMAN AND THE CONCEPTION OF “ORGANIC MUSIC” 95
10. CHAPTER FIVE. JULIUS EASTMAN SINGING 100
11. CHAPTER SIX. AN ACCIDENTAL MUSICOLOGIST PASSES THE TORCH 107
12. CHAPTER SEVEN. A FLEXIBLE MUSICAL IDENTITY Julius Eastman in New York City, 1976–90 116
13. CHAPTER EIGHT. EVIL NIGGER A Piece for Multiple Instruments of the Same Type by Julius Eastman(1979),withPerformanceInstructionsbyJosephKubera 131
14. CHAPTER NINE. A POSTMINIMALIST ANALYSIS OF JULIUS EASTMAN’S CRAZY NIGGER 140
15. CHAPTER TEN “THAT PIECE DOES NOT EXIST WITHOUT JULIUS” Still Staying on Stay On It 151
16. CHAPTER ELEVEN. CONNECTING THE DOTS 179
17. CHAPTER TWELVE. GAY GUERRILLA A Minimalist Choralphantasie 191
18. APPENDIX Julius Eastman Compositions 200
19. CHRONOLOGY 207
20. SELECTED BIBLIOGRAPHY 221
21. CONTRIBUTORS 225
22. INDEX 229