Chapters in this book

1. Frontmatter i
2. Contents v
3. List of Illustrations vii
4. List of Contributors xi
5. Introduction 1
6. Chapter 1. STATISTICAL ANALYSIS AND THE BOUNDARIES OF THE GENRE OF OLD ENGLISH PRAYER 11
7. Chapter 2. IF (NOT “QUANTIZE, CLICK, AND CONCLUDE”) {DIGITAL METHODS IN MEDIEVAL STUDIES} 27
8. Chapter 3. PROJECT PARADISE: A GEO- TEMPORAL EXHIBIT OF THE HEREFORD MAP AND THE BOOK OF JOHN MANDEVILLE 45
9. Chapter 4. GHASTLY VIGNETTES: PIERCE THE PLOUGHMAN’S CREDE, THE GHOST OF SHAKESPEARE’S BLACKFRIARS, AND THE FUTURE OF THE DIGITAL PAST 69
10. Chapter 5. CONTENT IS NOT CONTEXT: RADICAL TRANSPARENCY AND THE ACKNOWLEDGEMENT OF INFORMATIONAL PALIMPSESTS IN ONLINE DISPLAY 93
11. Chapter 6. ENCODING AND DECODING MACHAUT 123
12. Chapter 7. OF DINOSAURS AND DWARVES: MOVING ON FROM MOUVANCE IN DIGITAL EDITIONS 143
13. Chapter 8. ADAM SCRIVEYN IN CYBERSPACE: LOSS, LABOUR, IDEOLOGY, AND INFRASTRUCTURE IN INTEROPERABLE REUSE OF DIGITAL MANUSCRIPT METADATA 157
14. Chapter 9. DIGITAL REPRESENTATIONS OF THE PROVENANCE OF MEDIEVAL MANUSCRIPTS 203
15. Chapter 10. BRIDGING THE GAP: MANAGING A DIGITAL MEDIEVAL INITIATIVE ACROSS DISCIPLINES AND INSTITUTIONS 223
16. INDEX 241