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The Battle of the Bard
Shakespeare on US Radio in 1937
Sprache:
Englisch
Veröffentlicht/Copyright:
2018
Über dieses Buch
Difficult as it is to imagine today, in 1937 America’s two leading media companies fought over which had the better claim to Shakespeare. The Battle of the Bard explores this episode in US cultural history when NBC and CBS competed to perform Shakespeare for an American audience in a low-risk setting that they hoped would bring prestige to their networks. The resulting fourteen broadcasts are among the more remarkable recreations of Shakespeare of their time. This lively and engaging book shows the cultural dominance of radio at the time, and tells the story of why the networks each wanted to lord Shakespeare’s prestige over the other, how they put their series together, the critical reception, and the cultural impact and legacies of the broadcasts.
Information zu Autoren / Herausgebern
Jensen Michael P. :
Michael P. Jensen has authored more than a hundred articles and chapters in books on William Shakespeare. He is a Contributing Editor for Shakespeare Newsletter.
Rezensionen
Prof. Peter Holland:
"Who owns Shakespeare? Most of us would say we all do but, in 1937, NBC and CBS fought it out as to the rights to argue that Shakespeare was their domain. Michael P. Jensen has brought back to life this extraordinary and almost completely forgotten Battle for the Bard on the radio with superb research and an engaging style that takes us right into the heart of the firstmass medium and its astonishing popularity in the 1930s as well as the networks' competing claims for the cultural high ground of owning Shakespeare. More than simply a study of Shakespeare on radio, this study speaks of the ways in which U.S. mass-media, then and now, negotiate with prestige culture."
"Who owns Shakespeare? Most of us would say we all do but, in 1937, NBC and CBS fought it out as to the rights to argue that Shakespeare was their domain. Michael P. Jensen has brought back to life this extraordinary and almost completely forgotten Battle for the Bard on the radio with superb research and an engaging style that takes us right into the heart of the firstmass medium and its astonishing popularity in the 1930s as well as the networks' competing claims for the cultural high ground of owning Shakespeare. More than simply a study of Shakespeare on radio, this study speaks of the ways in which U.S. mass-media, then and now, negotiate with prestige culture."
Prof. Grace Tiffany:
"One of the most useful and entertaining books I have ever read on Shakespeare's theatrical history."
Fachgebiete
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Frontmatter
i -
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CONTENTS
v -
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GENERAL EDITORS’ PREFACE
vii -
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PREFACE
ix -
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A NOTE ON THE TEXT?
xi -
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INTRODUCTION: WHAT WAS RADIO?
1 -
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Chapter 1. PRELIMINARY BOUTS: SHAKESPEARE ON AMERICAN RADIO BEFORE THE BATTLE
7 -
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Chapter 2. IN THIS CORNER: STREAMLINED SHAKESPEARE
19 -
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Chapter 3. AND IN THAT CORNER: THE COLUMBIA SHAKESPEARE CYCLE
43 -
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Chapter 4. AND THE WINNER IS? AFTERMATH, AFTERLIVES, AFTER SHOWS, AND ALTERNATIVE SHOWS
67 -
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AFTERWORD: A BRIEF MURKY CONSIDERATION OF RECREATIONAL SHAKESPEARE AS A CONCEPT IN LIGHT OF THE BATTLE, WITH SOME PERSONAL REFLECTIONS
81 -
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SELECTED INDEX
85
Informationen zur Veröffentlichung
Seiten und Bilder/Illustrationen im Buch
eBook veröffentlicht am:
5. Mai 2020
eBook ISBN:
9781641890786
Seiten und Bilder/Illustrationen im Buch
eBook ISBN:
9781641890786
Schlagwörter für dieses Buch
Old Time Radio; John Barrymore; Radio Shakespeare; Columbia Shakespeare Cycle; NBC; CBS; Humphrey Bogart; Edward G. Robinson; Orson Welles; Adaptation; Radio Summer Series
Zielgruppe(n) für dieses Buch
For an expert adult audience, including professional development and academic research