Home Literary Studies Socialist Realism in Soviet Literature
Chapter
Licensed
Unlicensed Requires Authentication

Socialist Realism in Soviet Literature

  • Katerina Clark
View more publications by Academic Studies Press
From Symbolism to Socialist Realism
This chapter is in the book From Symbolism to Socialist Realism
© 2019 Academic Studies Press, Boston, USA

© 2019 Academic Studies Press, Boston, USA

Chapters in this book

  1. Frontmatter 1
  2. Table of Contents 6
  3. Acknowledgements 12
  4. Preface 13
  5. Section One. Russian Culture before the October Revolution
  6. Introduction 16
  7. Historical-Cultural Contexts
  8. Father Gapon and the St. Petersburg Massacre of 1905 26
  9. The Assassination of Grand Duke Sergei 31
  10. Modernist Views on Art in Essays and Manifestos, Criticism
  11. Keys to the Mysteries 40
  12. Two Tendencies of Contemporary Lyric Poetry 56
  13. Art as Technique 64
  14. Slap in the Face of Public Taste 82
  15. Declaration of TransrationaL Language 85
  16. “The Cherry Orchard” 88
  17. ’The Marble Bust’ and Briusov’s Vision of Art 121
  18. Vignettes
  19. The Marble Bust: A Tramp’s Story 132
  20. The Stranger 137
  21. When in a Suicidal Anguish 139
  22. The Lost Streetcar 140
  23. Section Two. From Civil War to Stalinism via Nep
  24. Introduction 143
  25. Everyday Life: Reality and Dreams
  26. Attic Life 155
  27. Make way for Winged Eros: A Letter to Working youth Love as a Socio-psychological Factor 160
  28. The New Way of Life 173
  29. On Literature, Revolution, Entropy, and Other Matters 180
  30. Literary Criticism
  31. Zamyatin’s WE, the Proletarian Poets and Bogdanov’s Red Star 187
  32. Bright Hopes and Dark Insights 206
  33. Bulgakov’s Early Tragedy of the Scientist-Creator: An Interpretation of The Heart of a Dog 223
  34. The Masks of Mikhail Zoshchenko 241
  35. Through the Wrong End of Binoculars: An Introduction to Iurii Olesha 256
  36. Two Plays 280
  37. Vignettes
  38. Brothers, Let’s Glorify the Twilight of Freedom 289
  39. A Dogged Sense of Smell 290
  40. Nervous People 293
  41. Brooklyn Bridge 296
  42. Section Three. The Stalinist Period and World War II
  43. Introduction 302
  44. Memoirs
  45. 1930: How Meierkhol’d Put on My Play 320
  46. Ivanov-Razumnik, from The Memoirs of Ivanov-Razumnik 323
  47. Antonina Pirozhkova, from At His Side: The Last Years of Isaac Babel 329
  48. Cultural Contexts
  49. The Mystery and the Magic of Stalin’s Power 340
  50. The Tower of Babel Undone in a Soviet Pentecost 348
  51. Tchaikovsky as Communist Icon 357
  52. Power Relationships and Authorship 367
  53. Soviet Labor Camps: A Brief History 393
  54. Socialist Realism
  55. Soviet Literature 407
  56. Socialist Realism in Soviet Literature 419
  57. The Typology of the Nonexistent 433
  58. War Diary
  59. Excerpts 440
  60. Vignettes
  61. We Exist in a Country Grown Unreal and Strange 448
  62. Russia, Our Happiness. Russia, Our Light 449
  63. This Thing Called Homesickness! A Fable 450
  64. No Matter How the Soviet Tinsel Glitters 452
  65. Song about our Motherland 453
  66. A Word to Comrade Stalin 455
  67. Epilogue. After WWII and after Stalin
  68. Comments on the Epilogue Selections 457
  69. A Denunciation
  70. The Central Committee Resolution on the Journals Zvezda and Leningrad 460
  71. Memoir
  72. Evgenii Evtushenko, from Yevtushenko’s Reader: The Spirit of Elbe; A Precocious Autobiography; Poems 466
Downloaded on 8.9.2025 from https://www.degruyterbrill.com/document/doi/10.1515/9781618111449-042/html
Scroll to top button