Acknowledgments

Chapters in this book

1. Frontmatter i
2. Contents vii
3. Acknowledgments ix
4. Note on Terminology xi
5. Introduction 1
6. Part One: Berg’s Ideal Identities
7. 1 Between Schoenberg and Wagner 13
8. 2 Berg as Wagner: In Pursuit of an Ideal Identity 25
9. 3 Refiguring Tristan 43
10. Part Two: Personal and Cultural Identities
11. 4 The Bild Motif and Lulu’s Identity 79
12. 5 Marriage as Prostitution 117
13. 6 Masculine, Feminine, and “In-between”: Geschwitz as neue Frau 150
14. Conclusion: Berg’s Wagnerism 183
15. Notes 187
16. Bibliography 207
17. Index 221