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9. The Musician Writes: For the Eyes of the Deaf?
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Chapters in this book
- Frontmatter i
- Contents vii
- Introduction 1
-
Part I. Reception & Politics
- 1. Intention and Meaning in Modernist Music 23
- 2. The End of the Mannerist Century 46
- 3. A Fine Analysis 54
- 4. In Memory of a Receding Dialectic: The Political Relevance of Autonomy and Formalism in Modernist Musical Aesthetics 68
-
Part II. Metaphors for Modernism
- 5. Twentieth-Century Tonality, or, Breaking Up Is Hard to Do 103
- 6. “Tone-Color, Movement, Changing Harmonic Planes”: Cognition, Constraints and Conceptual Blends in Modernist Music 121
- 7. Sexual and Musical Categories 153
- 8. Listening to Schizophrenia: The Wozzeck Case 176
-
Part III. Writing & Listening
- 9. The Musician Writes: For the Eyes of the Deaf? 197
- 10. “Are You Sure You Can’t Hear It?”: Some Informal Reflections on Simple Information and Listening 223
-
Part IV. Case Study
- 11. A Fine Madness 253
- 12. “One Man’s Signal Is Another Man’s Noise”: Personal Encounters with Post-Tonal Music 259
-
Part V. Belated Modernism
- 13. The “Modernization” of Rock & Roll, 1965–75 277
- 14. Refiguring the Modernist Program for Hearing: Steve Reich and George Rochberg 325
- 15. Modernism Goes to the Movies 345
- List of Contributors 387
- Index 391
Chapters in this book
- Frontmatter i
- Contents vii
- Introduction 1
-
Part I. Reception & Politics
- 1. Intention and Meaning in Modernist Music 23
- 2. The End of the Mannerist Century 46
- 3. A Fine Analysis 54
- 4. In Memory of a Receding Dialectic: The Political Relevance of Autonomy and Formalism in Modernist Musical Aesthetics 68
-
Part II. Metaphors for Modernism
- 5. Twentieth-Century Tonality, or, Breaking Up Is Hard to Do 103
- 6. “Tone-Color, Movement, Changing Harmonic Planes”: Cognition, Constraints and Conceptual Blends in Modernist Music 121
- 7. Sexual and Musical Categories 153
- 8. Listening to Schizophrenia: The Wozzeck Case 176
-
Part III. Writing & Listening
- 9. The Musician Writes: For the Eyes of the Deaf? 197
- 10. “Are You Sure You Can’t Hear It?”: Some Informal Reflections on Simple Information and Listening 223
-
Part IV. Case Study
- 11. A Fine Madness 253
- 12. “One Man’s Signal Is Another Man’s Noise”: Personal Encounters with Post-Tonal Music 259
-
Part V. Belated Modernism
- 13. The “Modernization” of Rock & Roll, 1965–75 277
- 14. Refiguring the Modernist Program for Hearing: Steve Reich and George Rochberg 325
- 15. Modernism Goes to the Movies 345
- List of Contributors 387
- Index 391