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Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Roberta Frank’s Publications, 1970–present x
- Introduction 1
-
Part 1. Seasons
- Weathering Time in the Wanderer 15
- Beowulf as Anti-Virgilian World Literature Archaeology, Ekphrasis, and Epic 37
- A Portrait of the Translator as Grendel’s Mother The Postcolonial Feminist Polyphony of Meghan Purvis’s Beowulf 59
-
Part 2. Engines
- Light Verse in Anglo-Saxon England 85
- The Paris Psalter and English Literary History 107
- Generative Form 135
- Kennings and Things: Towards an Object-Oriented Skaldic Poetics 161
-
Part 3. Discordance
- Lydgate’s Missing “Ballade” and the Bibliographical Imaginary 191
- Spoiled and Eaten: Figures of Absorption in Medieval English Poetry 215
- “Gehyre se ðe wille”: Sonic Worlds in Old Testament Poetry 237
- Notes on Contributors 261
- Index 263
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Roberta Frank’s Publications, 1970–present x
- Introduction 1
-
Part 1. Seasons
- Weathering Time in the Wanderer 15
- Beowulf as Anti-Virgilian World Literature Archaeology, Ekphrasis, and Epic 37
- A Portrait of the Translator as Grendel’s Mother The Postcolonial Feminist Polyphony of Meghan Purvis’s Beowulf 59
-
Part 2. Engines
- Light Verse in Anglo-Saxon England 85
- The Paris Psalter and English Literary History 107
- Generative Form 135
- Kennings and Things: Towards an Object-Oriented Skaldic Poetics 161
-
Part 3. Discordance
- Lydgate’s Missing “Ballade” and the Bibliographical Imaginary 191
- Spoiled and Eaten: Figures of Absorption in Medieval English Poetry 215
- “Gehyre se ðe wille”: Sonic Worlds in Old Testament Poetry 237
- Notes on Contributors 261
- Index 263