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2: Articulating Urban Space: Spatial Politics and Difference
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Caroline Rosenthal
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Preface and Acknowledgments vii
- Introduction 1
- 1: Imagining National Space: Symbolic Landscapes and National Canons 11
- 2: Articulating Urban Space: Spatial Politics and Difference 49
- 3: “The Inadequacy of Symbolic Surfaces”: Urban Space, Art, and Corporeality in Siri Hustvedt’s What I Loved 73
- 4: Rewriting the Melting Pot: Paule Marshall’s Brownstone City in The Fisher King 123
- 5: Specular Images: Sub/Urban Spaces and “Echoes of Art” in Carol Shields’s Unless 169
- 6: “The End of Traceable Beginnings”: Poetics of Urban Longing and Belonging in Dionne Brand’s What We All Long For 215
- 7: Synthesis 264
- Bibliography 279
- Index 307
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Preface and Acknowledgments vii
- Introduction 1
- 1: Imagining National Space: Symbolic Landscapes and National Canons 11
- 2: Articulating Urban Space: Spatial Politics and Difference 49
- 3: “The Inadequacy of Symbolic Surfaces”: Urban Space, Art, and Corporeality in Siri Hustvedt’s What I Loved 73
- 4: Rewriting the Melting Pot: Paule Marshall’s Brownstone City in The Fisher King 123
- 5: Specular Images: Sub/Urban Spaces and “Echoes of Art” in Carol Shields’s Unless 169
- 6: “The End of Traceable Beginnings”: Poetics of Urban Longing and Belonging in Dionne Brand’s What We All Long For 215
- 7: Synthesis 264
- Bibliography 279
- Index 307