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8: “I’ve been told . . . that the play is far too German”: The Interplay of Institution and Dramaturgy in Shaping British Reactions to German Theater

© 2010, Boydell and Brewer

© 2010, Boydell and Brewer

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Introduction: Cultural Impact in Theory and Practice 1
  4. I. Theorizing Cultural Impact
  5. 1: The Metaphor of Cultural Impact and the Cultural Impact of Metaphor 19
  6. 2: The Bombing of Dresden and the Idea of Cultural Impact 36
  7. 3: Understanding the Cultural Impact of Popular Film 58
  8. 4: Cultural Impact and the Power of Myth in Popular Public Constructions of Authorship 78
  9. 5: Cultural Impact as Symbolic Capital: The Case of the Elite Intellectual Field 97
  10. II. Directing Cultural Impact
  11. 6: Frederick 300 in 2012: A Case Study of Institutional Management of Heritage in Germany 115
  12. 7: “Art Needs Bread”: Supporting Literature in Germany 129
  13. 8: “I’ve been told . . . that the play is far too German”: The Interplay of Institution and Dramaturgy in Shaping British Reactions to German Theater 150
  14. III. Analyzing Cultural Impact
  15. 9: You Shall Know Them by Their Objects: Material Culture and Its Impact in Museum Displays about National Socialism 169
  16. 10: Discrepant Narratives: The Impact of Transborder Theater Festivals on Communities at the German-Polish Border 188
  17. 11: The Impact of an Unperson? Peter- Paul Zahl, Peter-Jürgen Boock, and the Cultural Impact of Prison Writing 210
  18. 12: The Organic Intellectual: The Public and Political Impact of Greta Kuckhoff, 1945–1949 227
  19. 13: The Politics of Cultural Impact: Michael Kohlhaas in East Berlin 243
  20. 14: Ingeborg Bachmann as Poet and Myth: A Case Study in Cultural Impact 260
  21. 15: Sponsoring Authorial Impact: The Case of Ingo Schulze 278
  22. Contributors 295
  23. Index 299
Cultural Impact in the German Context
This chapter is in the book Cultural Impact in the German Context
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