Presented to you through Paradigm Publishing Services
Boydell & Brewer
Chapter
Publicly Available
Contents
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: Rupture and Repair: Marking the Legacy of the Second Generation 1
-
Part I. The Legacy of Survival
- 1: “A Tale Repeated Over and Over Again”: Polyidentity and Narrative Paralysis in Thane Rosenbaum’s Elijah Visible 43
- 2: “In Auschwitz We Didn’t Wear Watches”: Marking Time in Art Spiegelman’s Maus 66
- 3: “Because We Need Traces”: Robert Schindel’s Gebürtig and the Crisis of the Second-Generation Witness 91
- 4: Documenting Absence in Patrick Modiano’s Dora Bruder and Katja Behrens’s “Arthur Mayer, or The Silence” 125
-
Part II. The Legacy of Perpetration
- 5: “Under a False Name”: Peter Schneider’s Vati and the Misnomer of Genre 143
- 6: My Mother Wears a Hitler Mustache: Marking the Mother in Niklas Frank and Joshua Sobol’s Der Vater 174
- 7: The Future of Väterliteratur: Bernhard Schlink’s Der Vorleser and Uwe Timm’s Am Beispiel meines Bruders 199
- Conclusion: The “Glass Wall”: Marked by an Invisible Divide 228
- Works Cited 233
- Index 247
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: Rupture and Repair: Marking the Legacy of the Second Generation 1
-
Part I. The Legacy of Survival
- 1: “A Tale Repeated Over and Over Again”: Polyidentity and Narrative Paralysis in Thane Rosenbaum’s Elijah Visible 43
- 2: “In Auschwitz We Didn’t Wear Watches”: Marking Time in Art Spiegelman’s Maus 66
- 3: “Because We Need Traces”: Robert Schindel’s Gebürtig and the Crisis of the Second-Generation Witness 91
- 4: Documenting Absence in Patrick Modiano’s Dora Bruder and Katja Behrens’s “Arthur Mayer, or The Silence” 125
-
Part II. The Legacy of Perpetration
- 5: “Under a False Name”: Peter Schneider’s Vati and the Misnomer of Genre 143
- 6: My Mother Wears a Hitler Mustache: Marking the Mother in Niklas Frank and Joshua Sobol’s Der Vater 174
- 7: The Future of Väterliteratur: Bernhard Schlink’s Der Vorleser and Uwe Timm’s Am Beispiel meines Bruders 199
- Conclusion: The “Glass Wall”: Marked by an Invisible Divide 228
- Works Cited 233
- Index 247