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2: Der Einsiedler Serapion: The Formulation of a Principle
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Hilda Brown
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Chapters in this book
- Frontmatter i
- Contents vii
- Illustrations viii
- Preface ix
- Acknowledgments xi
- Abbreviations xiii
- Introduction: Approaches to the Serapiontic Principle 1
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Part 1
- 1: Overture: Jacques Callot 21
- 2: Der Einsiedler Serapion: The Formulation of a Principle 33
- 3: Der Dichter und Der Komponist: Text and Music 57
- 4: Alte und neue Kirchenmusik 72
- 5: Prinzessin Brambilla: Callot Revisited 92
- 6: Epilogue: Des Vetters Eckfenster 106
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Part 2
- 7: Frame Narrative and the Serapiontic Principle 119
- 8: From Visual to Verbal: Three Serapiontic Tales 135
- 9: The “Nachtseite der Natur” and the Serapiontic Principle 157
- 10: The Märchen and the Serapiontic Principle 169
- 11: The Serapiontic Principle: The Wider Critique 185
- Conclusion 197
- Select Bibliography 201
- Index 207
Chapters in this book
- Frontmatter i
- Contents vii
- Illustrations viii
- Preface ix
- Acknowledgments xi
- Abbreviations xiii
- Introduction: Approaches to the Serapiontic Principle 1
-
Part 1
- 1: Overture: Jacques Callot 21
- 2: Der Einsiedler Serapion: The Formulation of a Principle 33
- 3: Der Dichter und Der Komponist: Text and Music 57
- 4: Alte und neue Kirchenmusik 72
- 5: Prinzessin Brambilla: Callot Revisited 92
- 6: Epilogue: Des Vetters Eckfenster 106
-
Part 2
- 7: Frame Narrative and the Serapiontic Principle 119
- 8: From Visual to Verbal: Three Serapiontic Tales 135
- 9: The “Nachtseite der Natur” and the Serapiontic Principle 157
- 10: The Märchen and the Serapiontic Principle 169
- 11: The Serapiontic Principle: The Wider Critique 185
- Conclusion 197
- Select Bibliography 201
- Index 207