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James Joyce’s Hamlet Chapter: Stepping Stone to Scylla and Charybdis
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Chapters in this book
- Frontmatter i
- Contents vii
- Preface ix
- “A Life with Two Mollys” In Memory of Mike Groden, May 30, 1947–March 25, 2021 1
-
Articles
- Et Tu, Bloom: or, #MeToo, Male Masochism, and Sexual Ethics in Ulysses 11
- Fail Better: Lucia Joyce and the Abbey Theatre Ballets 48
- Joyce, Irish Photography, and the Making and Publicizing of National, Familial, and Authorial Images 126
- James Joyce’s Hamlet Chapter: Stepping Stone to Scylla and Charybdis 178
- “Touch”: The Structure of a Complex Word 217
- James Joyce and the Writings on Foot and Mouth Disease 226
- “riverrun” as Invocation 239
- Marian Purity, Sacred Parody, and the Soiling of Maria in “Clay” 252
- “Tapping,” “Patting,” and Other Sounds in “The Dead” 291
-
Note
- What the Dickens Is Going On? 311
- Contributors 315
Chapters in this book
- Frontmatter i
- Contents vii
- Preface ix
- “A Life with Two Mollys” In Memory of Mike Groden, May 30, 1947–March 25, 2021 1
-
Articles
- Et Tu, Bloom: or, #MeToo, Male Masochism, and Sexual Ethics in Ulysses 11
- Fail Better: Lucia Joyce and the Abbey Theatre Ballets 48
- Joyce, Irish Photography, and the Making and Publicizing of National, Familial, and Authorial Images 126
- James Joyce’s Hamlet Chapter: Stepping Stone to Scylla and Charybdis 178
- “Touch”: The Structure of a Complex Word 217
- James Joyce and the Writings on Foot and Mouth Disease 226
- “riverrun” as Invocation 239
- Marian Purity, Sacred Parody, and the Soiling of Maria in “Clay” 252
- “Tapping,” “Patting,” and Other Sounds in “The Dead” 291
-
Note
- What the Dickens Is Going On? 311
- Contributors 315