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1. Introduction
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Susan A. Crane
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Chapters in this book
- Frontmatter i
- Contents vii
- Contributors ix
- 1. Introduction 1
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Part I. Thinking Through the Museum
- 2. Archi(ve)textures of Museology 15
- 3. A Museum and Its Memory: The Art of Recovering History 35
- 4. Curious Cabinets and Imaginary Museums 60
- 5. Geoffrey Sonnabend's "Obliscence: Theories of Forgetting and the Problem of Matter" 81
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Part II. Memories in the Museum
- 6. History and Anti-History: Photography Exhibitions and Japanese National Identity 91
- 7. Realizing Memory, Transforming History: Euro I American I Indians 115
- 8. Global Culture, Modern Heritage: Re-membering the Chinese Imperial Collections 137
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Part III. Collectors and Institutions
- 9.The Modern Muses: Renaissance Collecting and the Cult of Remembrance 159
- 10. The Quarrel of the Ancients and Moderns in the German Museums 179
- 11. The Museum's Discourse on Art: The Formation of Curatorial Art History in Turn-of-the-Century Berlin 200
- Notes 221
- Index 253
Chapters in this book
- Frontmatter i
- Contents vii
- Contributors ix
- 1. Introduction 1
-
Part I. Thinking Through the Museum
- 2. Archi(ve)textures of Museology 15
- 3. A Museum and Its Memory: The Art of Recovering History 35
- 4. Curious Cabinets and Imaginary Museums 60
- 5. Geoffrey Sonnabend's "Obliscence: Theories of Forgetting and the Problem of Matter" 81
-
Part II. Memories in the Museum
- 6. History and Anti-History: Photography Exhibitions and Japanese National Identity 91
- 7. Realizing Memory, Transforming History: Euro I American I Indians 115
- 8. Global Culture, Modern Heritage: Re-membering the Chinese Imperial Collections 137
-
Part III. Collectors and Institutions
- 9.The Modern Muses: Renaissance Collecting and the Cult of Remembrance 159
- 10. The Quarrel of the Ancients and Moderns in the German Museums 179
- 11. The Museum's Discourse on Art: The Formation of Curatorial Art History in Turn-of-the-Century Berlin 200
- Notes 221
- Index 253