Chapters in this book

1. Frontmatter i
2. Preface and Acknowledgments ix
3. Contents xv
4. Illustrations and Musical Examples xvii
5. Abbreviations xix
6. A Note to the Reader xxi
7. Introduction 1
8. Part 1 Backgrounds: Musical Embodiments in Christian Late Antiquity
9. Chapter 1 The Resonance of the Flesh 27
10. Chapter 2 Saint Augustine and the Rhythms of Embodiment 61
11. Part 2 Liturgies of Desire
12. Chapter 3 Sine Tactu Viri : The Musical Somatics of Hildegard of Bingen 87
13. Chapter 4 Polyphones and Sodomites: Music and Sexual Dissidence from Leoninus to Chaucer’s Pardoner 137
14. Part 3 Sounds of Suffering
15. Chapter 5 The Musical Body in Pain: Passion, Percussion, and Melody in Thirteenth-Century Religious Practice 191
16. Chapter 6 Musical Violence and the Pedagogical Body: The Prioress’s Tale and the Ideologies of ‘‘Song’’ 259
17. Part 4 Resoundings
18. Chapter 7 Orpheus in Parts: Music, Fragmentation, Remembrance 295
19. Epilogue: Toward a Musicology of Empathy 344
20. Notes 361
21. Bibliography 411
22. Index 451