Introduction

Kapitel in diesem Buch

1. Frontmatter i
2. Contents vii
3. Acknowledgments ix
4. Introduction 1
5. 1. “Jazz, the Wound” 29
6. 2. America; or, the Stranger 71
7. 3. Negative Identities of the Subject in Wartime America 115
8. 4. Critical Theory Goes to War 131
9. 5. Negative Modeling 207
10. 6. Subject/Object and Disciplinarity 241
11. Conclusion 289
12. Abbreviations 295
13. Notes 299
14. Index 317