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Introduction: All Things Visible and Invisible
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Chapters in this book
- Frontmatter i
- Contents ix
- Note to the Reader xi
- Abbreviations xiii
- Introduction: All Things Visible and Invisible 1
- 1. New Lives, New Optics: Missionary Modernity and Visual Practices in Interwar Republican China 25
- 2. Converting Visions: Photographic Mediations of Catholic Identity in West Hunan, 1921–1929 59
- 3. The Movie Camera and the Mission: Vernacular Filmmaking as China-US Bridge, 1931–1936 95
- 4. Chaos in Three Frames: Fragmented Imaging and the Second Sino-Japanese War, 1937–1945 141
- 5. Memento Mori: Loss, Nostalgia, and the Future in Postwar Missionary Visuality 185
- Epilogue: Latent Images 229
- Acknowledgments 243
- Notes 249
- Glossary of Chinese Terms 287
- Index 297
Chapters in this book
- Frontmatter i
- Contents ix
- Note to the Reader xi
- Abbreviations xiii
- Introduction: All Things Visible and Invisible 1
- 1. New Lives, New Optics: Missionary Modernity and Visual Practices in Interwar Republican China 25
- 2. Converting Visions: Photographic Mediations of Catholic Identity in West Hunan, 1921–1929 59
- 3. The Movie Camera and the Mission: Vernacular Filmmaking as China-US Bridge, 1931–1936 95
- 4. Chaos in Three Frames: Fragmented Imaging and the Second Sino-Japanese War, 1937–1945 141
- 5. Memento Mori: Loss, Nostalgia, and the Future in Postwar Missionary Visuality 185
- Epilogue: Latent Images 229
- Acknowledgments 243
- Notes 249
- Glossary of Chinese Terms 287
- Index 297
