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10 The Marian Ideal in the Works of Tatiana Goricheva and the Mariia Journals
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Chapters in this book
- Frontmatter i
- Contents vi
- Illustrations viii
- Acknowledgments xi
- Note on Transliteration xiii
- INTRODUCTION. At Every Time and In Every Place. The Mother of God in Modern Russian Culture 1
- 1. More Numerous Than the Stars in Heaven. An Early Eighteenth-Century Multimedia Compendium of Mariology 37
- 2. The Akhtyrka Icon of the Mother of God. A Glimpse of Eighteenth-Century Orthodox Piety on a Southwestern Frontier 58
- 3. Pushkin Framing Mary. Blasphemy, Beauty, and National Identity 82
- 4. The Mother of God and the Lives of Orthodox Female Religious in Late Imperial Russia 98
- 5. The Woman at the Window. Gorky’s Revolutionary Madonna 122
- 6 Marina Tsvetaeva’s Images of the Mother of God in the Context of Russian Cultural Developments in the 1910s–1920s 144
- 7 Kuzma Petrov-Vodkin’s 1918 in Petrograd (The Petrograd Madonna) and the Meaning of Mary in 1920 163
- 8 Our Mother of Paris The “Creative Renewal” of Orthodox Mariology in the Russian Emigration, 1920s–1930s 187
- 9 The Madonna Painter. Pimen Maksimovich Sofronov and Marian Iconography (1898–1973) 209
- 10 The Marian Ideal in the Works of Tatiana Goricheva and the Mariia Journals 227
- 11 Following in Mary’s Footsteps Marian Apparitions and Pilgrimage in Contemporary Russia 246
- 12 On the Field of Battle The Marian Face of Post-Soviet Russia 270
- Afterword 313
- glossary 317
- Contributors 333
- Index 335
Chapters in this book
- Frontmatter i
- Contents vi
- Illustrations viii
- Acknowledgments xi
- Note on Transliteration xiii
- INTRODUCTION. At Every Time and In Every Place. The Mother of God in Modern Russian Culture 1
- 1. More Numerous Than the Stars in Heaven. An Early Eighteenth-Century Multimedia Compendium of Mariology 37
- 2. The Akhtyrka Icon of the Mother of God. A Glimpse of Eighteenth-Century Orthodox Piety on a Southwestern Frontier 58
- 3. Pushkin Framing Mary. Blasphemy, Beauty, and National Identity 82
- 4. The Mother of God and the Lives of Orthodox Female Religious in Late Imperial Russia 98
- 5. The Woman at the Window. Gorky’s Revolutionary Madonna 122
- 6 Marina Tsvetaeva’s Images of the Mother of God in the Context of Russian Cultural Developments in the 1910s–1920s 144
- 7 Kuzma Petrov-Vodkin’s 1918 in Petrograd (The Petrograd Madonna) and the Meaning of Mary in 1920 163
- 8 Our Mother of Paris The “Creative Renewal” of Orthodox Mariology in the Russian Emigration, 1920s–1930s 187
- 9 The Madonna Painter. Pimen Maksimovich Sofronov and Marian Iconography (1898–1973) 209
- 10 The Marian Ideal in the Works of Tatiana Goricheva and the Mariia Journals 227
- 11 Following in Mary’s Footsteps Marian Apparitions and Pilgrimage in Contemporary Russia 246
- 12 On the Field of Battle The Marian Face of Post-Soviet Russia 270
- Afterword 313
- glossary 317
- Contributors 333
- Index 335