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4. “Litel Sercles” of Sound: Resonance and the Noise of Language in Chaucer’s House of Fame
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Adin E. Lears
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Chapters in this book
- Frontmatter i
- Contents ix
- Acknowledgments xi
- List of Abbreviations xiii
- Note on Transliteration xv
- Introduction: Voice in Medieval Soundscapes 1
- 1. “Clamor Iste Canor Est”: Rolle’s Heavenly Song and the Lay Theology of Noise 27
- 2. “Nota de Clamore”: Echoic Mysticism and Margery Kempe’s Clamorous Style 62
- 3. “Wondres to Here”: Noise, Soundplay, and Langland’s Poetics of Lolling in the Time of Wyclif 94
- 4. “Litel Sercles” of Sound: Resonance and the Noise of Language in Chaucer’s House of Fame 128
- 5. “A Verray Jangleresse”: Experience, Authority, and the Blisse of the Wife of Bath 163
- Epilogue: Echoic Afterlives 195
- Bibliography 207
- Index 223
Chapters in this book
- Frontmatter i
- Contents ix
- Acknowledgments xi
- List of Abbreviations xiii
- Note on Transliteration xv
- Introduction: Voice in Medieval Soundscapes 1
- 1. “Clamor Iste Canor Est”: Rolle’s Heavenly Song and the Lay Theology of Noise 27
- 2. “Nota de Clamore”: Echoic Mysticism and Margery Kempe’s Clamorous Style 62
- 3. “Wondres to Here”: Noise, Soundplay, and Langland’s Poetics of Lolling in the Time of Wyclif 94
- 4. “Litel Sercles” of Sound: Resonance and the Noise of Language in Chaucer’s House of Fame 128
- 5. “A Verray Jangleresse”: Experience, Authority, and the Blisse of the Wife of Bath 163
- Epilogue: Echoic Afterlives 195
- Bibliography 207
- Index 223